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Numerous organisms use the Earth’s magnetic field as a sensory cue for migration, body alignment, or food search. Despite some contradictory reports, yet it is generally accepted that humans do not sense the geomagnetic field. Here, we demonstrate that a magnetic field resonance mechanism mediates light-dependent magnetic orientation in men, using a rotary chair experiment combined with a two-alternative forced choice paradigm. Two groups of subjects were classified with different magnetic orientation tendencies depending on the food context. Magnetic orientation of the subjects was sensitive to the wavelength of incident light and was critically dependent on blue light reaching the eyes. Importantly, it appears that a magnetic field resonance-dependent mechanism mediates these responses, as evidenced by disruption or augmentation of the ability to orient by radiofrequency magnetic fields at the Larmor frequency and the dependence of these effects on the angle between the radiofrequency and geomagnetic fields. Furthermore, inversion of the vertical component of the geomagnetic field revealed a non-canonical inclination compass effect on the magnetic orientation. These results establish the existence of a human magnetic sense and suggest an underlying quantum mechanical magnetoreception mechanism.
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Devotion by Heather Tietz
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Five Little Monkeys · The Sklar Brothers
Hendersons and Daughters
℗ 2011 Stand Up! Records
Released on: 2011-09-13
Producer: Dan Schlissel
Recording Engineer: David Soran
Mixer, Mastering Engineer: Matt Fay
Music Publisher: Stand Up! Records
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Live in London, in 1983.
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Is Timothy Donahue the ICE agent who shot and killed Joan Sebastian Guerrero in Maine on July 13, 2026? No, that's not true: Neither Immigration and Customs Enforcement nor the...
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A 4 year old's extreme reaction to Tony Blair's departure as Prime minister
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When ancient rhythm meets modern soul ???????? At the Sonic Pluriverse Festival in Berlin, Mohini Dey (@dey_bass) left the crowd stunned by blending Konnakol — a powerful South Indian vocal percussion art — with her electrifying bass performance. A true South Asian legend redefining global music stages!
#MohiniDey #KonnakolVibes #BassQueen #SonicPluriverseFestival #BerlinBeats #SouthAsianCreatives #HomegrownInMusic #FemaleMusiciansRock #IndianFusionMusic #LiveInBerlin #GlobalGroove #AncientMeetsModern
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2. Mohini Dey Berlin performance
3. Sonic Pluriverse Festival 2025
4. Konnakol fusion music
5. Indian bass guitarist female
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7. South Asian music Berlin
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Duck-Tective Scene from Disney's Animated series Gravity Falls
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Justine · Don & Dewey
The Specialty Story
℗ 1994 Craft Recordings
Released on: 1994-03-24
Vocalist: Don Harris
Vocalist: Dewey Terry
Composer Lyricist: Don Harris
Composer Lyricist: Dewey Terry
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Billy Bragg live - Between the Wars
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Up to You · Blue Peter
Up to You
℗ 1982 Blue Peter
Released on: 1982-04-06
Auto-generated by YouTube.
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Kill the Sarx · Scaterd Few
Sin Disease
℗ 1990 Faceless Gen Recording Company
Released on: 2011-01-11
Main Artist: Scaterd Few
Composer: Allan Aguirre
Lyricist: Allan Aguirre
Auto-generated by YouTube.
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Some Way Through This (Plastician & Skream Remix) · The Black Ghosts
Some Way Through This (Plastician & Skream Remix)
℗ 2007 - Southern Fried Records
Released on: 2007-06-03
Remixer: Plastician
Remixer: Skream
Composer: Simon Lord
Composer: Theo Keating
Lyricist: Simon Lord
Lyricist: Theo Keating
Arranger: Simon Lord
Arranger: Theo Keating
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Blasphème · Therapie TAXI
Hit Sale Xtra Cheese - EP
℗ Panenka Music
Released on: 2018-11-16
Lyricist: Raphael Faget-Zaoui
Composer: Adelaide Chabannes de Balsac
Composer: Alexandre Zualini
Composer: Raphael Faget-Zaoui
Composer: Renaud Bizart
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What It Takes · Overkill
Immortalis
℗ 2015 Nuclear Blast
Released on: 2007-10-08
: Robert Joseph Ellsworth
: Carlo Verni
Composer: Robert Joseph Ellsworth
Composer: Carlo Verni
Lyricist: Robert Joseph Ellsworth
Lyricist: Carlo Verni
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Single from their 1983 album Shakespeare Stole My Baby.
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You Can't Lose What You Ain't Never Had · Muddy Waters
Folk Singer
℗ 1964 UMG Recordings, Inc.
Released on: 1964-04-05
Vocalist: Muddy Waters
Bassvocalist, Producer: Willie Dixon
Producer: Marshall Chess
Producer: Phil Chess
Producer: Leonard Chess
Composer Lyricist: McKinley Morganfield
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These May Look Like Tonsil Stones But They Are WAY Worse! Have you ever had these? ????
Like for more content :)
SUBSCRIBE AND JOIN THE FLOSSFAM ????????
#tonsils #teeth #dentistry #braces #health #shorts #orthodontics #reaction
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Once Glorious · Doomsword
My Name Will Live On
℗ 2007 Dragonheart / Audioglobe srl
Released on: 2007-06-15
Music Publisher: Kizmaiaz Edizioni Musicali
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Diahann Carroll sings during the 'Dynasty' era.
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Games People Play · Nathan Abshire
A Cajun Legend: The Best of Nathan Abshire
℗ 1986 Swallow Records
Released on: 1986-01-01
Music Publisher: Sony-ATV Songs
Auto-generated by YouTube.
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Here's a funny scene from bad grandpa
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1979's Days in Europa
Meets.......
Frankenheimer's Grand Prix
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Canadian rock band Pepper Tree with this fabulous harmony pop a-side "Love Is A Railroad" written by keyboardist Bob Quinn. The rest of the line-up comprised of Chris Brockway on bass, Jim White on guitar, and Tom Garagan on drums. Produced by Jack Richardson for Nimbus 9 Productions. American Capitol release, August 1972.
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Provided to YouTube by Universal Music Group
But Tonight We Dance · Rise Against
This Is Noise
℗ 2006 Geffen Records
Released on: 2007-01-01
Producer: Bill Stevenson
Producer: Jason Livermore
Composer Lyricist: Joseph Principe
Composer Lyricist: Brandon Barnes
Composer Lyricist: Tim McIlrath
Composer Lyricist: Christopher Chasse
Auto-generated by YouTube.
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Harp guitar cover of MW2 in-game soundtrack for the mission "Temper Edge" and the last Wolf Trial.
This is my first ever harp guitar track!
Microphone: 2x Rode NT5
Camera: Sony FDR-AX53
Guitar: home made 12-string harp guitar
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From the laser disc "Julie London Show", with the Bobby Troup Quintet, recorded on May-28-1964 in Japan.
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In this 1998 collaboration between Pansonic and Alan Vega, Pansonic create a desolate soundscape over which Vega chants his incantations. The glitch-noir futuristic disco "Medal", the noise-techno "Incredible Criminals", the factory pulse of "Motor Maniac" and "Sick Sick USA", the frozen cyclone "No Home Kings" (with delirious vocals), the free-form dadaist collage "Outrage for the Frontpage", the thriller-soundtrack of "Endless", the electric radiation of "Desperate Fa Tha Miracle", the homage to the original spirit of Suicide "Red Lights Down", the percussive/ minimalist "Fun In The Wonderland", the suspenseful electro "Baby Lips", the monolithic cardiogram ambience of "Disgrace" etc are more than simple songs; they are a visionary depiction of cyber-neurosis
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