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lyrics (i do not own this song, seether does)

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More classic stuff from back in the early days of the internet

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Provided to YouTube by Monolith Graphics Publishing Night Of The Wolf · Nox Arcana Transylvania ℗ 2005 Monolith Graphics Released on: 2005-10-21 Auto-generated by YouTube.

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Don Jackson wanted to change his grazing methods, and he called Allen Williams, a top U.S. expert on regenerative agriculture for help. Allen helped Don transition from continuous grazing to AMP (Adaptive Multi-Paddock) grazing. This film captures Don's first 6 months of the transition - in Don's 1st growing season. Don (and his son Patrick) can see huge changes already, especially in the amount of forage they can produce, the improved health of their cattle, and the increase in beneficial insects. Filmed in Ware Shoals, South Carolina

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Does an image comparison show a real Getty photo of Donald Trump next to a White House-edited version giving him smooth skin? No, that's not true: Both photos are edited,...

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USDA grazing specialist Doug Peterson has spent his entire career teaching reticent farmers and ranchers to focus on their soil health, even if, and especially if, that means adopting new ways to graze. Peterson walks the walk, practicing and experimenting new methods on his and his dad’s farm outside of Newtown, Missouri. Filmed near Newtown, Missouri

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Provided to YouTube by Universal Music Group They Call Me Sundown · Lonesome Sundown Been Gone Too Long ℗ 2014 Craft Recordings. Released on: 1977-01-01 Composer Lyricist, Producer, Recording Producer: Bruce Bromberg Bass Guitar, Recording Producer, Producer, Associated Performer: Dennis Walker Drums, Associated Performer: Franchot Blake Associated Performer, Vocals: Lonesome Sundown Associated Performer: Phillip Walker Associated Performer: Choctow Slim Associated Performer, Keyboards: Nat Dove Composer Lyricist: Cornelius Greene Auto-generated by YouTube.

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Provided to YouTube by CDBaby Sahara · Eddie from Ohio Actually Not ℗ 2017 Eddie from Ohio Released on: 2017-11-19 Auto-generated by YouTube.

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This short film highlights author and farmer Michael Godfrey of Wheatlands Farm and his neighbor and friend - the one and only Joel Salatin! Michael and Joel discuss the beauty of regenerative grazing, the financial opportunity it represents for farmers, and how working with nature to steward our grasslands echoes the practices of native populations that built rich topsoils all across the continent long before European settlers arrived. Huge thanks to filmmaker Claire Seaton for her amazing work capturing this story! You can find her Instagram channel at @claireseaton_ ! Thank you all for an amazing 2025. We can't wait to share everything we have planned for 2026!

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DUA LIPA LIVE performing her single "These Walls" at The Royal Albert Hall. Original Studio Version of "These Walls" from the album "Radical Optimism"

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fairly different from the studio version

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Murray Provine lived the traveling executive lifestyle until prostate cancer was diagnosed. With a focus on his personal health, he changed his 110 acre horse farm to Adaptive Multi-Paddock (AMP) cattle grazing - with the tutelage of Allen Williams. 3 years into the change, Murray and his land are in much better health. Filmed in Clarkesville, Georgia

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Brian Burns' song about the lost city of Indianola, TX...washed away by 19th century hurricanes

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Provided to YouTube by Parlophone UK Radioland (2009 Remaster) · Kraftwerk Radio-Activity ℗ 1975, 2009 Parlophone Records Limited Electronics, Synthesizer, Vocals, Vocoder: Florian Schneider Producer: Florian Schneider Electronic Drums: Karl Bartos Audio Recording Engineer: Peter Bollig Drum Machine Drums: Ralf Hütter Electronics, Synthesizer, Vocals: Ralf Hütter Orchestron Keyboards: Ralf Hütter Electric Piano: Ralf Hütter Producer: Ralf Hütter Mixing Engineer: Walter Quintus Electronic Drums: Wolfgang Flür Writer: Emil Schult Writer: Florian Schneider Writer: Ralf Hütter Auto-generated by YouTube.

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Provided to YouTube by Universal Music Group There Must Be More To Life Than This (Special Edition) · Freddie Mercury Mr. Bad Guy ℗ 2019 Mercury Songs Ltd. Released on: 2019-10-11 Producer, Vocalist, Composer Lyricist: Freddie Mercury Recording Second Engineer: Stephan Wissnet Producer, Engineer: Mack Producer, Engineer, Mixing Engineer: Justin Shirley-Smith Mixing Engineer, Engineer, Producer: Joshua J Macrae Mastering Engineer: Adam Ayan Auto-generated by YouTube.

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EVERY song ever recorded by Code of Honor. Uploaded as per the request of the awesome Mr. Sal Paradise, the drummer of this incredibly unique band. No band has ever sounded like this, and no band ever will. Press play, and turn the volume UP! :-) The track listings are as follows: 1~ What are We Gonna Do 2~ What Price Would You Pay? 3~ What's it Gonna Be? 4~ Code of Honor 5~ Fight Or Die 6~ Attempted Control 7~ People's Revolution 8~ DeathTo You 9~ Stolen Faith 10~ Be Fighting Still 11~ Poem 12~ And We Fight 13~ Beware the Savage Jaw 14~ I Killed the Dove 15~ Downtown 16~ Education 17~ The Ballad of One-Eyed Jack and the Backhand Kid 18~ Too Much for One Man 19~ Not If I Can Help It 20~ House of Others 21~ Don't Tell Me 22~ Waiting Always 23~ No Room To Cry 24~ This DaY 25~ Beware the Savage Jaw (Reprise)

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Before You Were Punk Album

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Provided to YouTube by TuneCore You Probably Shouldn't Move Here · Five Iron Frenzy All the Hype That Money Can Buy ℗ 2014 5 Minute Walk Released on: 2000-04-25 Auto-generated by YouTube.

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Shit Liza Minnelli Says Starring Christine Pedi as Liza Minnelli Directed by Michael Duling Catch Christine in the Off Broadway hit NEWSical The Musical NEWSicalTheMusical.com The Drama Desk nominated musical revue is back lampooning current events, newsmakers, celebrities, and politicians. With songs and material being updated daily NEWSical is an ever-evolving mockery of all the news that's fit to spoof! "The Daily Show set to music!"-Associated Press "Fast, funny, and irreverent! NEWSical makes it possible to get high on hilarity!"-NY Times Copyright 2012 D'Angora Entertainment Inc.

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311's extended studio version of "Who's got the herb."

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Liszt's last 25 years were tragic—they oversaw his thwarted marriage to Princess von Sayn-Wittgenstein, the widespread rejection of his music, his historic quarrel with Richard Wagner, various health-related tribulations of old age, his growing estrangement from his younger daughter, Cosima, and the death of his elder daughter, Blandine; because of the many setbacks he endured, both public and private, Liszt's embattled character succumbed to a series of depressions, culminating in 1877 in a desire, several times repeated, to commit suicide—an act of despair from which only his devout Catholicism saved him (his correspondence with Olga von Meyendorff tells it all: "... I am extremely tired of living; but as I believe that God's Fifth Commandment "thou shalt not kill" also applies to suicide, I go on existing...."). The aforementioned death of his elder daughter brought him severe anguish, and thus Liszt brought forth his Variations on Bach's "Weinen, Klagen, Sorgen, Zagen" (Weeping, lamenting, worrying, fearing); the work is best understood as a symptom of the grieving process, and like so much else of Liszt's output this music is really autobiographical. Liszt found in the first movement of Bach's cantata a wonderful vehicle for his grief, and he composed his own variations on its ground bass. Brief analysis: 00:00—Introduction (Improvisatory; based on chromatic descent) 00:59—Var. 1-8 (Polyphonic; explicitly contrapuntal) 02:39—Var. 9-19 (Register expands) 04:51—Var. 20-24, 25 (Register expands; more pianistic style) 05:38—Var. 26-33 (More chromatic; middle register) 06:23—Var. 34-35 (Unison octaves; register expands again) 06:34—Var. 36-39 (Rhetorical style; register expanded) 07:20—Var. 40-43 (Diminished harmony; maximum register expansion) 08:17—Var 44-45 (Whole-tone harmony, descent to bass register; motive fragmented) lunga pausa 09:12—Var. 46-47 (Recitative; motive used to accompany) 10:47—Var. 48 (Motive fragmented; very chromatic harmony) 11:54—Transition (Based on chromatic descent; strong tonal direction: diminished harmony leads to V pedal: register expands) 13:17—Recitative (Interruption of harmonic motion towards cadence, Tristanesque enhancements) 13:56—Chorale (Strong cadence into F major; middle register, gradually expanding outwards) 15:49—Coda To take an overall view, the work begins with highly unstable chromatic harmony, very short-term harmonic goals and a rapid rate of change, all conveyed through a detailed contrapuntal foreground (Variations 1-8)—also apparent here is Liszt's technique of dovetailing: this technique, borrowed from J. S. Bach, appears throughout the variations as a means of disguising the underlying regularity of the motive, but is particularly evident here. Bach's dovetailing is most often achieved by continuing the suspensions into the cadence point: i.e. the voice-leading of one part carries over across the division into the next variation; Liszt uses the same technique here, carefully varying the extent of overlap. Then, through Variations 9 to 38 there is a gradual expansion of vision: register is expanded in both directions; the sense of greater space is enhanced by a concomitant expansion of the rhythmic dimension as quavers give way to quaver triplets, semiquavers, then demisemiquavers; harmonic change is less frequent; and the detailed contrapuntal surface gives way to more broadly sketched scales and arpeggios. Alongside this expansion, is the gradual substitution of diminished for chromatic harmony, which culminates in the tonal chaos of Variation 48; the re-emergence of tonal sense after this breakdown is all the more striking: here for the first time in the work there is a strong sense of long-range directed harmony that is working towards a distinct goal. When that goal is finally glimpsed—at the first perfect cadence into F major in the chorale—it seems that it is absolutely right and fitting; this is no mere token gesture to the source of the motive, for Liszt uses the chorale to provide a focal point for the variations as the chorale becomes the climax of the work, the goal towards which the variations are directed; finally, the ending's statement of "Was Gott tut, das ist wohlgetan" ("What God does, that is well done"), shows a tremendous possession of heroic spirit, and is an unmistakable reference to the personal loss that he himself suffered, and his acceptance of it.

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Provided to YouTube by Universal Music Group Variations On Sinister #3 · Frank Zappa Guitar ℗ 1988 Zappa Family Trust, Under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc. Released on: 2012-01-01 Producer, Composer Lyricist: Frank Zappa Auto-generated by YouTube.

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Suzanne Tamim (Arabic: سوزان تميم‎, September 23, 1977 July 28, 2008) was a Lebanese singer who rose to fame in the Arab world after having won the top prize in the popular Studio El Fan television show in 1996. Tamim was found murdered in an apartment in Dubai Marina in 2008. On September 2, 2008, Egyptian businessman and lawmaker Hisham Talaat Moustafa was arrested in Cairo and charged with paying a hitman to have Tamim killed. On May 21, 2009, he was found guilty of her murder and has been sentenced to death by hanging in Cairo. Tamim won fame after appearing on a TV talent show in Lebanon in 1996, but her career was marred by stories about a troubled private life. Soon afterward, news about her divorce from her first husband, Ali Muzannar, flooded the media. Tamim later married Lebanese impresario and producer Adel Matouk, who became her manager. Once they divorced, Tamim was thought to have fled from her home in Beirut to Egypt after Matouk filed a series of lawsuits against her, including embezzlement, fraud, slander and libel. Reports say she disappeared from public view in Cairo in 2007 and was thought to be living in Dubai's exclusive Jumeirah district. Tamim musical career was successful. After winning a Gold Medal on Studio El Fan, she was hailed not only for her beauty but also for a voice that was equally suited to pop tunes and classical Arabic melodies. Tamim's last album was produced in 2002 by production giant Rotana and called Saken Alby. This album went on to establish sales records. Her last song, "Lovers", recorded in 2006, was dedicated to the memory of slain Lebanese Prime Minister Rafik Hariri.

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From his 1979 LP "For You". A solo version of There Will Never Be Another You by the genius and former Tristano disciple, Sal Mosca.

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This is a rare and unreleased demo version of the FEAR song 'I Am Doctor', which appeared on the 1985 album 'More Beer'. It was written by guitarist Philo Cramer. It is not known exactly when it was recorded, or who is playing bass. It has been claimed that some of the tracks that ended up on 'More Beer' were tracked as early as 1981, when FEAR were working with John Belushi on the soundtrack for the film 'Neighbours'*. This means it is possible that original bassist Derf Scratch could be on this recording. Other candidates are Flea, who was in the band from 1982-84, and Lorenzo Buhne, who appears on the 'More Beer' record. Personally, I prefer this version over the album version. The album was a little over-produced to me, and the rawness of this demo really appeals to me. Anyways, great song! Lee Ving - Vocals Philo Cramer - Guitar Spit Stix - Drums, Percussion** * = Some of these sessions reportedly featured Belushi on vocals, although they've never seen the light of day. If they actually existed, I would kill for them. ** = I once asked Spit (via email) what exactly the strange sounding percussion is in this recording. He said it was a '25 gallon steel drum' and that 'people used to mistake them for trash cans'. They were also used (less prominently than this) on the 'We Destroy the Family' and 'Fresh Flesh' recordings from 'The Record'.

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Provided to YouTube by The Orchard Enterprises Dokhtar Bandari · Shahrum Kashani The Color of Love ℗ 2008 Taraneh Enterprises Inc Released on: 2000-08-17 Music Publisher: Taraneh Enterprises Inc. Auto-generated by YouTube.

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George Kleinsinger (1914-1982): Street Corner Concerto Who with children do not remember the most popular children's concert piece of all time, "Tubby the Tuba"? Music by American composer George Kleinsinger in collaboration with writer Paul Tripp, "Tubby the Tuba" has been recorded dozens of times, often with famous narrators such as Danny Kaye. George composed many more light works, children's works and generally popular concert pieces during his career, one work being the cantata "I Hear America Singing." for soloists, chorus and orchestra. His recordings were far more proliferous during the late era of 78 rpm records. His "Street Corner Concerto" for harmonica and orchestra was also recorded on RCA Victor 78 rpm set DC 43 with John Sebastian, harmonica and Russ Case and his orchestra. The performance uploaded here, however, was taken during live concert of the Atlanta Symphony Orchestra, with John Sebastian, harmonica and Henry Sopkin, conductor . The performance took place on February 4,1960.

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A butler and his master make a surprising and long-overdue discovery about their relationship.

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Provided to YouTube by Rhino Atlantic I Send a Message · INXS The Swing ℗ 1984 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Assistant Engineer: Allan Wright Guitar, Keyboards: Andrew Farriss Bass Guitar: Garry Gary Beers Vocals: Garry Gary Beers Engineer: Jason Corsaro Assistant Engineer: Jeremy Allom Drums, Percussion, Vocals: Jon Farriss Guitar, Saxophone, Vocals: Kirk Pengilly Vocals: Michael Hutchence Engineer, Mixer, Producer: Nick Launay Producer: Nile Rodgers Guitar: Tim Farriss Bass Guitar: Tim Farriss Writer: Andrew Farriss Writer: Michael Hutchence Auto-generated by YouTube.

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Man Of Constant Sorrow