Via: https://www.noracooks.com

Forget about dry scones and make these vegan Peach Scones instead! Made with fresh and juicy peaches and a sweet vanilla glaze, you’ll love every single tender, flaky, and moist bite.

Via: https://give.lcv.org

As the largest home improvement retailer in the world, The Home Depot must be a leader in transitioning away from plastic building products made with cancer-causing chemicals.

Via: https://youtube.com

Emmanuel Top – Lobotomie / Pulsions Label: NovaMute – 12NOMU38 Format: Vinyl, 12", 33 ⅓ RPM Country: UK Released: Nov 21, 1994 Genre: Electronic Style: Techno, Acid

Via: https://youtube.com

Album: Live Hearts. The song is in fact about an Irish miscarriage of justice. Osgur Breatnach and his co-accused Brian McNally and Nicky Kelly were wrongly accused + tortured by the Irish Police and imprisoned by the Irish Courts in 1978 for "The Sallins Mail Train Robbery" of 1976. See the timeline to this miscarriage of justice at "www.thewhistleblower.ie". The song also references the third person (Nicky Kelly) who was also wrongly convicted and tortured, who returned to Ireland to clear his name in the summer of 1980 upon hearing that his two co-accused were released by the Appellate Courts a few months earlier, only to find that he had to endure another four years in prison and undergo hunger strikes before he was released by the Government on 'humanitarian' grounds in 1984. - Cormac Breatnach The fill approved lyrics from Mick Hanly himself in October 2014 are: Verse 1. No, you can't give back the time you stole away Not one week can you repay, not even one day. When you say to us you're free we've changed our minds You're not guilty anyway, is that all you can say. Though you sent us down for 17 months on a framed-up charge Because you needed someone to send down. Well the truth comes home to roost and shame you all In your bench and wig and gown Here in this town Verse 2. Better late than never, still we’re only two, One man sits alone and waits, open those gates And set free someone who never was to blame Who returned to clear his name He even played your game. You're the ones, you're the guilty ones It's you we have to fight Stop beating up these innocents in the night When the red tape of the law becomes the chain that binds It's time for us to say Change it today ! You're the ones, you're the guilty ones It's you we have to fight Stop beating up these innocents in the night When the red tape of the law becomes the chain that binds It's time for us to say Change it today ! Words and music Mick Hanly, Declan Sinnott and Donal Lunny. This is of course, also good and incomparible music! At this time, Christy Moore had left the band but Mick Hanly was a great singer and songwriter.

Via: https://youtube.com

Provided to YouTube by The Orchard Enterprises Technology Gap · Underground Resistance Electronic Warfare 2.0 ℗ 2007 Submerge Recordings Released on: 2008-05-01 Auto-generated by YouTube.

Via: https://youtube.com

Provided to YouTube by DistroKid Adjacent Casualty · Kumo 99 · Ami Komai · Ami Komai · Nate Donmoyer Body N. Will ℗ Pressure Signal Records Released on: 2022-05-02 Auto-generated by YouTube.

Via: https://youtube.com

Provided to YouTube by Universal Music Group Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto · Emerson String Quartet Schubert: The Late String Quartets; String Quintet ℗ 1988 Deutsche Grammophon GmbH, Berlin Released on: 1998-01-01 Producer: Steven Paul Digital Editing Engineer, Producer: Wolfgang Stengel Balance Engineer: Hans-Rudolf Müller Composer: Franz Schubert Auto-generated by YouTube.

Via: https://youtube.com

Deep Purple full performance at the California Jam 1974 where Deep Purple would not go on til' it was dark as written in the contract leaving a big time gap in the concert,Ritchie Blackmore would not budge for the pleas to go on early so when they did he gave the crowd their money's worth and told the roadies to pour gasoline on the fake amps and light it at the end causing a big explosion.Deep Purple flew off quickly back to Britain with police and fire officials wanting to question them so they say Ritchie Blackmore guitar Jon Lord Organ David Coverdale vocals Glen Hughs bass guitar Ian Paice drums

Via: https://youtube.com

Provided to YouTube by Atlantic Records Madness in Me · Skillet Rise ℗ 2013 Atlantic Recording Corporation Voice: Alexandria Cooper Mixing Engineer: Andy Wallace Backing Vocals: Chris Marvin Assistant Engineer: Crystle Libre Additional Engineer: Hatsukazu Inagaki Producer: Howard Benson Programmer: Howard Benson Drums: Jen Ledger Backing Vocals: Jen Ledger Strings Arranger: John Cooper Bass Guitar: John Cooper Lead Vocals: John Cooper Violin: Jonathan Chu Strings Arranger: Korey Cooper Keyboards, Programmer: Korey Cooper Audio Recording Engineer: Mike Plotnikoff Additional Engineer: Nick Radovanovic Digital Editor: Paul DeCarli Additional Engineer: Paul DeCarli Pro Tools: Paul Suarez Guitar: Seth Morrison Cello: Tate Olsen Mastering Engineer: Ted Jensen Executive Producer: Zachary Kelm Writer: Brian Howes Writer: David Hodges Writer: John L. Cooper Auto-generated by YouTube.

Via: https://youtube.com

I do not own the rights to this film

Via: https://youtube.com

Jackie Chan vs Goons in Drunken Master II! With original HK soundtrack and sound fx. Scene taken from Drunken Master II (1994) In 2005, Drunken Master II was named one of the top 100 best films of all time by Time magazine. In 2015, the British Film Institute (BFI) selected Drunken Master II as one of the 10 best action movies of all time. However once American distributor, Dimension Films acquired the film an English-language dub (Chan dubbed himself), and a new musical score was added. The re-dubbed soundtrack also meant that sound effects were different, in some instances completely altering the rhythm of the fight scenes. For years no home media release has been made available that preserved the original aspect ratio (2.35:1) and the uncut version of the film with the original Cantonese audio track. An uncut release with good picture quality, the original audio track, and the original aspect ratio is considered a "holy grail" by many Hong Kong cinema fans. It wasn't until 11 October 2018, The original, uncut Hong Kong version was finally made available on Blu-ray in China, Korea and Japan, courtesy of Warner Bros. DISCLAIMER: I DO NOT OWN THIS SCENE, IT IS FROM THE MOVIE THE LEGEND OF THE DRUNKEN MASTER FROM DIMENSION FILMS

Via: https://youtube.com

Voice: HanyMust Violin: Yasmine Samy Oud: Souka Percussion: Ahmed Hayman

Via: https://youtube.com

Via: https://youtube.com

Written by Glenn Sutton and Billy Sherrill. Released in 1966 from the album "Big Ben Strikes Again", it reached #6 Country, #58 Hot 100.

Via: https://youtube.com

Provided to YouTube by Universal Music Group Graceful Touch · Tord Gustavsen Trio Changing Places ℗ 2003 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin Released on: 2003-03-17 Producer: Manfred Eicher Mastering Engineer, Studio Personnel, Recording Engineer: Jan Erik Kongshaug Composer, Associated Performer: Tord Gustavsen Associated Performer, Double Bass: Harald Johnsen Associated Performer, Drums: Jarle Vespestad Auto-generated by YouTube.

Via: https://youtube.com

WELCOME TO TECHNOWARIORSTV Technowarriorstv has the most entertaining TECH Review's, unboxing video's we also have great interviews on the extraterrestrial and paranormal that you will love like video games we also have gaming some gaming content check it out and hit that subscribe button we have so much content coming down the line #technowarriorstv #INTERVIEWS #unboxings #reviews #shorts #youtube

Via: https://youtube.com

Quiet life in the sleepy seaside town of Weston-super-Mare, and its even sleepier seafront café, Cyril's, is thrown into a state of mild disarray when a flashy events manager from London comes to visit his ill mother. The Cafe | Series 1 | Episode 1 | There's No Place Like Home Originally Transmitted on 23 November 2011 on Sky One. The Café is a British sitcom written by and starring Ralf Little and Michelle Terry broadcast by Sky1. The series is set in and around a café in Weston-super-Mare run by generational trio Mary (June Watson), Carol (Ellie Haddington) and Sarah (Michelle Terry).

Via: https://youtube.com

Phostographt, del disco Fantasmo de Crossover

Via: https://youtube.com

Provided to YouTube by DistroKid Go by the River · Church of the Cosmic Skull Science Fiction ℗ cosmicskull.org Released on: 2018-05-17 Auto-generated by YouTube.

Via: https://youtube.com

0:00 The Opening 06:31 After Later 12:33 Entardecendo En Saudade 20:35 Can You Follow? (Dance On Green Hills) 30:08 Beyond These Chilling Winds

Via: https://youtube.com

This was requested ,i did my best but it has a 4fret stretch chord that is impossible to do with my small fingers ,but the show must go on so i left it out !

Via: https://youtube.com

"Pull Up to the Bumper" is a song by Jamaican singer, songwriter, model and actress Grace Jones, released in June 1981 by Island Records as the third single from her fifth album, Nightclubbing (1981). Sonically, it is an uptempo electro-disco, post-punk, dance-pop and reggae-disco song with dub production, "pulsing drums and chic new-wave licks", as well as being described as a hybrid of funk and R&B. Its lyrics were written by Jones alone, while she, along with Kookoo Baya and Dana Manno, are credited as its composers. The song's instrumental part was originally recorded in 1980 during the Warm Leatherette sessions; however, it did not make the album as Chris Blackwell found its sound not fitting in the rest of the material. It was completed for the 1981 critically acclaimed Nightclubbing album and became its third single in June 1981. The song peaked at number two on the US Billboard Hot Dance Club Songs chart and number 53 on the UK Singles Chart. When re-released in 1986, it peaked at number 12 in the UK. The track has come to be one of Jones' signature tunes and her first transatlantic hit. The song sparked controversy for its sexually suggestive lyrics, prompting some radio stations to refuse to broadcast it. Among the lines are "Pull up to my bumper baby / In your long black limousine / Pull up to my bumper baby / Drive it in between", "Grease it / Spray it / Let me lubricate it" and "I've got to blow your horn." However, in a 2008 interview with Q magazine, Jones suggested that the lyrics were not necessarily meant to be interpreted as a metaphor for anal sex. Terry Nelson from Albumism commented in his review of Nightclubbing, "Many critics loved the playful double entendre, but if you were listening carefully, you could tell that it was a pretty blunt statement. She was not pulling any punches. It was a song that could've been ripped out of the pages of the Penthouse forum set to an infectious, funky beat. The Daily Vault's Mark Millan named it an "instant Jones classic", and noted that the singer "peppered the lyric with a swell of sexual innuendos". Music critic and writer Glenn O'Brien named "Pull Up to the Bumper" "Grace's first car radio hit". Grace Jones is a Jamaican singer, actress and model. Jones started out as a model, regularly appearing at the New York City nightclub Studio 54. Jones secured a record deal with Island Records in 1977, which resulted in a string of dance-club hits. In the late 1970s, she adapted the emerging electronic music style and adopted a severe, androgynous look. Many of her singles were hits on Billboard's Hot Dance Club Play and Hot Dance Airplay charts, for example 1981's "Pull Up to the Bumper", which spent seven weeks at No. 2 on the U.S. dance chart. Jones was able to find mainstream success in Europe, particularly the United Kingdom, scoring a number of Top 40 entries on the UK Singles Chart. Her most notable albums are Warm Leatherette, Nightclubbing and Slave to the Rhythm, while her biggest hits are "Pull Up to the Bumper", "I've Seen That Face Before (Libertango)", "Private Life", "Slave to the Rhythm" and "I'm Not Perfect (But I'm Perfect for You)". Jones is also an actress. Her acting occasionally overshadowed her musical output in America, but not in Europe, where her profile as a recording artist was much higher. She appeared in some low-budget films in the 1970s and early 1980s. Her work as an actress in mainstream film began in the 1984 fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger, and the 1985 James Bond movie A View to a Kill. In 1986 she played a vampire in Vamp, and both acted in and contributed a song to the 1992 film Boomerang with Eddie Murphy. In 2001, she appeared in Wolf Girl alongside Tim Curry. Driving down those city streets Waiting to get down Won't you get your big machine Somewhere in this town? Now in the parking lot garage You'll find the proper place Just follow all the written rules You'll fit into the space Pull up to my bumper baby In your long black limousine Pull up to my bumper baby And drive it in between Pull up To it Don't drive Through it Back it Up twice Now that Fit's nice Operate around the clock Why don't you come in? I've got lot's of space for everyone Why don't you my friend? Lines are short I'll pick you up so won't you please come on Shiny sleek machine believe It I've got to blow your horn Pull up to my bumper baby In your long black limousine Just pull up to my bumper baby And drive it in between Pull up To it Don't drive Through it Back it Up twice Now that Fit's nice Race it Straighten it Let me Lubricate (Pull up to my bumper baby) Pull up to my bumper (Pull up) Pull up to my bumper (Pull up to my bumper baby) (Pull up) Pull up to my bumper (Pull up to my bumper baby) Pull up to my bumper baby (Pull up) Pull up to my bumper (Pull up to my bumper baby) Pull up to my bumper (Pull up) Pull up to my (Pull up to my bumper baby)

Via: https://music.youtube.com

Provided to YouTube by Universal Music Group Pride Of Man · Quicksilver Messenger Service Quicksilver Messenger Service ℗ 1968 Capitol Records, LLC Released on: 1988-01-01 Producer: Harvey Brooks Producer: Nick Gravenites Producer: Pete Welding Composer: Hamilton Camp Auto-generated by YouTube.

Via: https://youtube.com

Scatman John - The Invisible Man R.I.P. John Paul Larkin, (March 13, 1942 — December 3, 1999), better known as Scatman John, was a famous stuttering jazz musician who created a unique fusion of scat singing and techno, best known for his 1994 hit "Scatman (Ski Ba Bop Ba Dop Bop)". As he liked to say, this was a process of "turning my biggest problem into my biggest asset." He received 14 golds and 18 platinums for his albums and singles. He died of lung cancer at his home in Los Angeles, California at the age of 57. Lyrics: I'm the invisible man, I'm the invisible man, Incredible how you can, See right through me (Scatting) I say yeah, yeah, yeah, yeah, I'm the Invisible Man, whoa I say yeah, yeah, yeah, yeah, I'm the Invisible Man Invisible, Invisible, Invisible, Invisible When you hear a sound, That you just can't place Feel something move That you just can't trace, When something sits On the end of your bed Don't turn around When you hear me tread. I'm the invisible man, I'm the invisible man Incredible how you can See right through me I'm the invisible man I'm the invisible man It's criminal how I can See right through you. I say yeah, yeah, yeah, yeah I'm the Invisible Man I say yeah, yeah, yeah, yeah I'm The Invisible Man (Scatting) Invisible, Invisible, I'm the Invisible Man, whoa Invisible, Invisible, I'm the Invisible Man, whoooa Now I'm in your room And I'm in your bed And I'm in your life And I'm in your head Like the CIA Or the FBI You'll never get close Never take me alive I'm the invisible man I'm the invisible man Incredible how you can See right through me I'm the invisible man I'm the invisible man It's criminal how I can See right through you, Hah, hah, hah, hello, Hah, hah, hah, hello, Hah, hah, hah, hello-hello-hello-hello (Scatting) I'm the invisible man, I'm the invisible man Incredible how you can See right through me, yeah I'm the invisible man, ahh I'm the invisible man, ah It's criminal how I can See right through you. I say yeah, yeah, yeah, yeah I'm the Invisible Man, whoa, yeah I say yeah, yeah, yeah, yeah I can see you! I say yeah, yeah, yeah, yeah I'm the Invisible Man whoa You can see but, uh, I can't see you, uh! (Scatting) I say yeah, yeah, yeah, yeah, I say yeah, yeah, yeah, yeah, I'm the Invisible Man!

Via: https://youtube.com

Via: https://youtube.com

Provided to YouTube by DistroKid Devils Cut · Fcukers Mothers ℗ fcuk you 2 Released on: 2023-03-31 Auto-generated by YouTube.

Via: https://youtube.com

Gary Moore - Lost Episode Rare Studio Tracks 1978-2001 The Track 8, "Trust your lovin'" (official G-Force Single B-Side) had to be omitted. 01 Bad is bad (Thin Lizzy Demo 1978) 02 Track Ten (BotS Sessions) 03 Road to Pain (Back on the Streets Sessions) 04 Don't believe a Word (Vocals Gary Moore) 05 Parisienne Walkways (Vocals Gary Moore) 06 Jamaican Rum (Phil Lynott Demo 1979) 07 The Woman's in Love (G-Force Demo) 08 [omitted: Trust your lovin'] 09 Don't take me for a Loser (Vocals Gary Barden) 10 Teenage Idol (Original Mix) 11 Don't ever give your Heart away (Glenn Hughes Demo 1985) 12 Wild Frontier (Rough Mix) 13 Still got the Blues (Demo) 14 Oh pretty Woman (Demo) 15 Midnight Blues (Demo) 16 Livin' with the Blues (Back to the Blues Outtake)

Via: https://youtube.com

Provided to YouTube by Deconstruction Open Heart Surgery · Beth Ditto EP ℗ 2011 Sony Music Entertainment Released on: 2011-03-04 Composer, Mixing Engineer, Producer: James Ford Composer, Mixing Engineer, Producer: Jas Shaw Auto-generated by YouTube.

Via: https://youtube.com

Provided to YouTube by Cherry Red Records Rock 'N' Roll Ambulance · Luke Haines · Peter Buck Beat Poetry For Survivalists ℗ 2020 Luke Haines / Peter Buck Auto-generated by YouTube.

Via: https://youtube.com

Provided to YouTube by Legacy Recordings St. James Infirmary · Georgie Fame The Third Face Of Fame ℗ 1968 Sony Music Entertainment UK Limited Released on: 1968-09-19 Keyboards, Associated Performer, Vocal: Georgie Fame Composer, Non Lyric Author: Trad. Arranger: Joe Primrose Producer: Mike Smith Auto-generated by YouTube.