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Provided to YouTube by CDBaby Fou · Shahin Najafi Fou ℗ 2016 Shahin Najafi Released on: 2016-08-05 Auto-generated by YouTube.

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A music concrete piece I composed, performed and recorded in 1985 as a composition assignment while studying music at Humber College with Tony Mergel. The assignment was to use "unusual instrumentation" and/or aleatoric elements in a piece of at least 4 minutes in length. The aleatoric elements are: backwards tape, improvising with vary-speed recording, use of multiple tape recorders at the same time. The unusual instrumentation includes: melody played on a hair dryer (a yellow Road Runner 3000), backwards tape phrases and the sounds of water being swished in a tub. It was recorded on Tascam 244 and two pioneer cassette decks. I wrote sketches and put the piece together over a week to 10 days. I made the final score shown in the video the night before class (pulling an all nighter) and mixed it down the next day just in time to be handed in at the end of the class. I never did figure out how to do this live then but now it could be done with samplers (or a DJ) playing some of the parts and performing the rest (but that would need a new performance score).

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The Magic of 6174: Kaprekar's Constant Explained ​ Dive into the fascinating world of mathematics with this intriguing video. Explore the uniqueness of the number 6174, known as Kaprekar's Constant. Learn about the simple yet profound procedure that always leads to this specific number, regardless of the starting four-digit combination. Discover the hidden patterns and properties that make 6174 a truly remarkable mathematical phenomenon. ​Summary: This video explores the unique mathematical property of the number 6174, known as Kaprekar's Constant. The presenter explains that if you take any four-digit number (with at least two different digits), arrange the digits in descending and ascending order, and subtract the smaller number from the larger one, you will eventually arrive at 6174 within a few iterations. The video demonstrates this process with the number 9218, showing how it leads to 8532 and then finally to 6174 in just two steps. ​ #6174 #KaprekarsConstant #Mathematics #NumberTheory #MathMagic #UniqueNumbers #MathematicalPatterns #EducationalVideo #StemEducation #MindBlowingMath #NumberPhile

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Provided to YouTube by Universal Music Group Time On My Hands (Live At The Alhambra/1961) · Ahmad Jamal All Of You ℗ 1961 Verve Label Group, a Division of UMG Recordings, Inc. Released on: 1962-03-01 Producer: Leonard Chess Lyricist: Mack Gordon Lyricist: Harold Adamson Composer: Vincent Youmans Auto-generated by YouTube.

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Does a viral video actually document a real-life scene at an American airport during the FAA-issued ground stop on Nov. 13, 2026? No, that's not true: The clip was likely...

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Grateful Dead 11/15/71 Austin Municipal Auditorium - Austin, TX Set 1: Truckin' Bertha Playin' In The Band Deal Jack Straw Loser Beat It On Down The Line Dark Star El Paso Dark Star Casey Jones One More Saturday Night Set 2: Me And My Uncle Ramble On Rose Mexicali Blues Brokedown Palace Me And Bobby McGee Cumberland Blues Sugar Magnolia You Win Again Not Fade Away China Cat Sunflower Jam Goin' Down The Road Feeling Bad Not Fade Away Encore: Johnny B. Goode

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(1 of 10) Live @ the First Unitarian Church Sanctuary - Philadelphia, PA November 16th, 2006 eattapes.com We sailed away on a winter's day With fate as malleable as clay But ships are fallible, I say And the nautical, like all things, fades And I can recall our caravel A little wicker beetle shell With four fine maste and lateen sails Its bearings on Cair Paravel Oh my love Oh it was a funny little thing To be The ones To've seen The sight of bridges and balloons Makes calm canaries irritable And they caw and claw all afternoon Catenaries and dirigibles Brace and bouy the living room A loom of metals warp woof wimble And a thimblesworth of milky moon Can touch hearts larger than a thimble Oh my love Oh it was a funny little thing To be The ones To've seen Oh my love Oh it was a funny little thing It was a funny funny little thing

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A hysterical scene from the 1970s film "Dawn of the Dead"

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Theatrical trailer of "Harold and Maude" by Hal Ashby. Starring Ruth Gordon, Bud Cort, Vivian Pickles, Cyril Cusack, Charles Tyner, Ellen Geer, Eric Christmas, Tom Skerritt

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The Kooks- Sway Lyrics: Say whatever you have to say, I'll stand by you. Do whatever you have to do, to get it out and not become a reactionary To hurt the ones you love you know you never meant to but you do oh yeah you do Be whoever you have to be, I won't judge you Sing whatever you have to sing to get it out and not become a recluse about your house, come out I know you never meant to but you do oh but you do Still I need your sway, because you always pay for it And I, and I need your soul because your always soulful And I and I need your heart, because your always in the right places And take whatever you have to take, you know I love ya come however you have to come, and get it out and get it out Take it out on me, take it out on me I'll give it you all, I give it you all,i give it I give you all I give it you all, yes I will give it you all Cause I need your sway, because you always pay for it And I, and I need your soul because your always soulful And I and I need your heart, because your always in the right places Oh yes I will, I will give it you all Still I need your sway, because you always pay for it And I, and I need your soul because your always soulful And I and I need that heart, because your always in the right places.

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Provided to YouTube by BMG Rights Management (UK) Limited Change · Hercules & Love Affair Change ℗ 2019 BMG Rights Management (UK) Limited Released on: 2019-10-11 Producer, Sound Engineer, Vocals, Performer: Andrew Butler Producer, Sound Engineer: Alec Storey Sound Engineer: Beau Thomas Author, Composer: Andrew Butler Auto-generated by YouTube.

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All I Want For Christmas Is A Dukla Prague Away Kit by Half Man Half Biscuit, taken from the Peel Session recorded on 10 November 1985.

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I wanted to play this Marti Jones song for someone and it's not on YouTube. The album is way, way out of print -- cd copies on Amazon are going for around $75 at the moment. So it's hard to find unless you have a turntable -- vinyl copies are cheap. Anyway, I got a turntable for Christmas so I was finally able to digitize this song. The video is just a thing I pulled together from some random clips I shot last autumn, not really knowing what I was going to do with them. I hate it when a video is just a picture of the album cover so I had to make an actual video. :) But it's not terribly exciting. Enjoy!

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Film noir directed by John Huston

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Heaven nine eleven is about how the world is crashing down and heaven is looking better everyday. This is not the only song on the into the now album that tries to get this message across. I think it is referring to the terrorist attacks that took place 9/11.

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Ocean Colour Scene Sway Live The Word 14/09/90

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The Three Little Pigs and the True Revelation Bowl The story of the Big Bad Wolf and the unleashed puppies Telluride sidecountry, Colorado Haven’t dropped the true Revelation Bowl before, and we definitely got some odd looks as we cut left out the gate, away from Nellie mine and into what I’ve always referred to as “No-Man’s-Land”. We followed the ridgeline across several large hanging snowfields, some of the lower cliffs probably nearing the 400 foot range. With the rope line still on our left, we knew we had some time to back out. But the snow was feeling stable and our cuts were holding, and so we slowly continued our descent into the unknown. As it rolled over, I could see the bottom of lift 15 and the platform far above us now. The powder was deep, but scary to play in, knowing that if anything went wrong there wasn’t really a plan B. The gully from Revelation Bowl ends in a 300 foot cliff and my beacon and partners are nice to have, but pretty much useless in an actual rescue mission in a situation like this if something were to actually go wrong. As we came to our first traverse, the line started to finally kind of come into view. Scotty called it the Three Little Piggies, because it was a triple-link up of some very skinny and short couloirs. I asked him who the Big Bad Wolf was as he dropped into the first Piggie, letting out a squeal and an oink. In my mind, the Big Bad Wolf was the avalanche risk. We felt good about the snowpack that day, but the sun was starting to hit it and there was definitely some quick moving sluff from the new snow layer. I was really hoping we didn’t wake the wolf that day. As we traversed from Piggie to Piggie, the exposure was glaringly apparent. Maybe the Big Bad Wolf was the massive cliff that was constantly staring us in the face the entire line. With no choice really but to continue our way across, the third Piggie came into view and we made our way over and out as quickly as possible. The ride out to the creek road from there was pretty easy, and I was glad to finally put what I had always thought was not possible to rest once and for all. When I looked up at what was underneath the Revelation Bowls all I saw was cliff, but to be able to pick our way through the cliff was something of a totally different experience. We didn’t get in a whole lot of powder turns compared to the average run, but what we did get was a completely different look at the mountains than usual. This was clearly a billygoat of a line choice and nothing to take lightly. Things become completely three-dimensional all at once and there isn’t much of an option but for the mind to shut off and let the body focus on the task at hand. Like clockwork, we had worked our way in and out of the lower Revelation Bowl and the Three Little Piggies without waking the Big Bad Wolf. But as we rode down the creek road and back into town Scotty suddenly hooted from behind us that he was in fact the Big Bad Wolf! I do know that although we did just blow our way through the Three Little Piggies one by one, it’s hard to really know for sure what exactly happened on that day. I’m just always glad to be out safe at the bottom after a highly exposed line like that one, and lets leave it there for now… Skier: Scott Kennett Snowboarder: Chris Parke Snowboarder: Dan Margolis Pink Floyd - Pigs (3 different ones)

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Provided to YouTube by Virgin Music Group Wovoka (Rerecorded) · Redbone The Best of Redbone - Come and Get Your Love ℗ 1982 K-Tel Released on: 2007-04-12 Writer: Pat Vegas Writer: Lolly Vegas Auto-generated by YouTube.

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Provided to YouTube by RCA Records Label Message To Harry Manback · TOOL Ænima ℗ 1996 Volcano Entertainment, L.L.C. Released on: 1996-09-17 Keyboards: D.B. Composer, Associated Performer, Lyricist, Producer: TOOL Producer, Engineer, Mixing Engineer: David Bottrill Auto-generated by YouTube.

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Come and smoke a little ‘Wicky Wacky Weed’ with me… #MuckSticky #WickyWackyWeed #Bonkers #Weed #Song #pajamas

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Movie - A Bronx Tale (1993) Resolution - 1080p Scene - Biker Bar Fight

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Another great track from Ruby Murray

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A clip from a PBS series called Voices and Visions - Wallace Stevens. This series focuses on American poets. Some of the poets covered are: Emily Dickinson, Wallace Stevens, T.S. Eliot, and William Carlos Williams, to name a few. Please treat yourself to this amazing series.

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What happens if they can't keep up? Twitter: OnCunk Sharing all things Cunk - a fictional character from Charlie Brooker's Weekly Wipe, Cunk on Britain, Cunk on Shakespeare and Cunk on Earth - Portrayed by the incredible Diane Morgan.

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Catalina Ferro performs "Orphan" as the NYC Urbana Slam, The Bowery Poetry Club 4/12

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Provided to YouTube by PIAS Take My Time · 4hero Play With the Changes ℗ Raw Canvas Released on: 2007-01-28 Featured Artist: Jack Davey Producer: Dego Mixing Engineer: Thylord Mixing Engineer: Mr Good Good Composer: Akwasi Mensah Composer: J. Davey Composer: D. McFarlane Auto-generated by YouTube.

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Provided to YouTube by Universal Music Group We've Only Just Begun · Paul Williams Just An Old Fashioned Love Song ℗ 1971 UMG Recordings, Inc. Released on: 2016-01-01 Producer: Michael James Jackson Composer Lyricist: Roger Nichols Composer Lyricist: Paul Williams Auto-generated by YouTube.

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Provided to YouTube by Columbia American Gypsy · Santana Zebop! ℗ 1981 Columbia Records, a division of Sony Music Entertainment Released on: 1981-04-29 Composer: Devadip Santana Bongos, Percussion, Composer: Armando Peraza Organ, Piano, Synthesizer, Composer: Richard Baker Background Vocal, Vocal, Composer: Alexander J. Ligertwood Drums, Composer: Graham Lear Bass, Composer: David Margen Composer: Orestes Vilato Background Vocal, Congas, Percussion, Composer, Lyricist: Raul Rekow Background Vocal, Guitar, Percussion: Carlos Santana Background Vocal, Percussion: Orestes Vilato Guitar: Steve Cain Drums: Davy Crockett Keyboards: Eric Blomquist Producer: Devadip Carlos Santana Producer: Bill Graham Director: Ray Etzler Engineer, Mixing Engineer: Fred Catero Assistant Engineer: Wayne Lewis Assistant Engineer: Steve Welkom Mastering Engineer: Bernie Grundman Auto-generated by YouTube.