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Henry is in Australia receiving life saving treatment for a brain tumour. Help us raise fu… Courtney McArdle needs your support for King Henry's Fight is Over
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Candida auris was virtually unknown 17 years ago. It has acquired resistance to antifungal meds. This scary fungus is causing a lot of misery
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What happens if you Stop Taking Aspirin? Learn about bleeding, rebound risk and why stopping suddenly may matter. We need better guidance!
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FANTASMAGORIE is considered to be the oldest cartoon in the world. The short animation is one of the earliest examples of traditional hand-drawn animation. It was created by French cartoonist Émile Cohl and released on August 17, 1908. The oldest known all-animated film in history. The film depicts a series of scenes without much narrative structure, but morphing into each other. This film is in the public domain meaning it has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. Corporations lobbied Congress to get U.S. copyright laws extended by 20 years, twice! Because of that, it allows published works to be under copyright for almost a century and corporations to squeeze every last ounce of profit from them even long after the profitability has past. It keeps people from enjoying art, which is the purpose of art. #animationshorts #cartoondrawing #publicdomainfilms
Did Donald Trump refer to the servicemembers deployed at USS Lincoln as "suckers and losers"? No, that's not true: His account on Truth Social didn't show the purported post. Neither...
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Provided to YouTube by Warner Records We Fall, We Stand · Earshot Letting Go ℗ 2002 Warner Records Inc. Mixer: Andy Wallace Producer: David Kahne Drums: Dieter Hartmann Engineer: Greg Gordon Co- Producer: Jason Slater Rhythm Guitar: Mike Callahan Engineer: Rob Brill Lead Guitar: Scott Kohler Masterer: Stephen Marcussen Vocals: Wil Martin Writer: Dieter Hartmann Writer: Guy Couturier Writer: Scott Kohler Writer: William Martin Auto-generated by YouTube.
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From the album, The Rambos, "Queen Of Paradise", 1978. Words and Music by Dottie Rambo.
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Provided to YouTube by The Orchard Enterprises Mail Order Mojo · Omar and The Howlers World Wide Open ℗ 1995 Big Guitar Music Released on: 1995-01-01 Music Publisher: Big Guitar Music Auto-generated by YouTube.
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Provided to YouTube by Scepter Records Dedicated To The One I Love · The Shirelles 20 Greatest Hits ℗ 2005 Gusto Records, Inc. Released on: 2009-03-07 Main Artist: The Shirelles Composer: Lowman Pauling Composer: Ralph Bass Music Publisher: Fort Knox Music Inc. 50% Music Publisher: Nanohits Inc. 50% Auto-generated by YouTube.
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BIG BAD JOHN ~ Jimmy Dean (1961) Columbia # CL 1735 Jimmy Dean - (August 10, 1928 – June 13, 2010) Birth name: Jimmy Ray Dean Birth place: Plainview, Texas Place of death: Varina, Virginia (at 81 years old) Per the notes written on the back of the JIMMY DEAN: BIG BAD JOHN AND OTHER FABULOUS SONGS AND TALES (Columbia LP #CL 1735) record jacket, it states: "Jimmy Dean had been thinking for some time of writing a song about a PAUL BUNYAN-like hero. He began writing the lyrics at home, but never quite finished them, because he had to fly to Nashville, Tennessee for a recording session with veteran Columbia producer, Don Law. Jimmy simply brought along the unfinished song. By the time he got off the plane, he was virtually jumping with excitement. The song was completed and Don Law liked it so much, that Big Bad John was recorded immediately" - (Side note: There's a little touch of "Sixteen Tons" by Tennessee Ernie Ford here as well) - Note: What many today call, "rapping" was originally, in a cleaner form, referred to as, "calling". Talking in rhyming sentences or speaking the lyrics instead of singing them, which was very common in Country & Western music. It began with the square dance "caller" who gave direction to the dancers, through rhyming sentences set to the cadence or beat of the music being played by a live band. He never sang, he just spoke the words in rhyme. Much the same as a auction house auctioneer, who speaks the bids in a fast rhythm, choosing words which often rhyme. The "caller" and the dance can be: "traced back through England to the old French cotillions" (17th century) (per Lloyd Shaw-1939). Also, a form of "calling" or "auction house crying" can be found in the 1947 recording of, "Smoke, Smoke, Smoke (That Cigarette) (Tex Williams & Phil Harris) or "The Darktown Poker Club" (1946) (Phil Harris) for example, and many other older recordings. Therefore, "rap" isn't new, it's just a continuation of something which started many years earlier. (* No one has ever said this, but I believe, "Cajun Doll", by Lattie Moore, may have inspired the writing of both "Big Bad John" and "The Cajun Queen". )
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Provided to YouTube by Columbia Jackie Blue · Ray Conniff Another Somebody Done Somebody Wrong Song ℗ Originally recorded 1975. All rights reserved by SONY BMG MUSIC ENTERTAINMENT Released on: 1975-10-17 Associated Performer: Ray Conniff Composer, Lyricist: Steve Cash Lyricist, Composer: Larry Lee Producer: Jack Gold Auto-generated by YouTube.
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Provided to YouTube by Warner (France) Que seront les hommes ? · Amir Que seront les hommes ? ℗ Distribution Exclusive Warner Music France, Label Parlophone, ℗ 2017 Sash Productions Guitar: Amen Viana Vocals: Amir Backing Vocals: Amir Masterer: Chris Gehringer Keyboards: Jean-Noël Wilthien Bass, Programming: Laurent Wilthien Acoustic Guitar: Laurent Wilthien Electric Guitar: Matthieu Tosi Programming: Matthieu Tosi Backing Vocals: Nazim Khaled Director: Raphaël Nyadjiko Keyboards Programming: Raphaël Nyadjiko Director: Skydancers Composer: Amir Haddad Composer, Writer: Nazim Khaled Composer: Raphaël Nyadjiko Auto-generated by YouTube.
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My personal favourite from the scarce "Pigpile" video.
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Provided to YouTube by The Orchard Enterprises Death Valley Blues · Uncle Acid & The Deadbeats Mind Control ℗ 2013 Rise Above Records Released on: 2013-05-14 Auto-generated by YouTube.
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Meth Drinker - Meth Drinker 12" ST
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Provided to YouTube by Epic As it Stands · The Juliana Theory Love ℗ 2002 Sony Music Entertainment Inc. Released on: 2002-11-12 Producer: Jerry Harrison Vocal, Lyricist, Co- Producer: Brett Detar Engineer: David Simon-Baker Assistant Engineer: Matt Cohen Mixing Engineer, Recording Engineer: Eric Thorngren Mastering Engineer: Ted Jensen Auto-generated by YouTube.
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Hank Mobley " Curtain Call" (Blue Note TOCJ-1611) aka."Hank Mobley Quintet Featuring Sonny Clark " (BNJ 61006) Kenny Dorham (tp) Hank Mobley (ts) Sonny Clark (p) Jimmy Rowser (b) Art Taylor (ds) Recorded at RVG Studio, Hackensack, NJ, Aug18, 1957
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Provided to YouTube by Sony Music/UEFA Music UEFA Champions League Legacy Anthem · UEFA · Tony Britten UEFA Champions League Legacy Anthem ℗ 2022 UEFA Music distributed by Sony Music Entertainment Released on: 2022-04-01 Associated Performer: UEFA & Tony Britten Auto-generated by YouTube.
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In Willie and Me, Greta Weingarten (Hassmann) is a housewife who is trapped in a stagnant marriage. One evening while serving dinner to her successful but bland husband, she hears a radio announcement about Willie Nelson's farewell concert. Through his music, she is transported back to her disjointed childhood. Greta is suddenly overwhelmed by the need to see Willie Nelson and will do whatever it takes to be at his last concert in Las Vegas. She takes off on her journey, leaving behind the husband and comfortable life she knows. With everything against her, but so much ahead, she realizes that the return ticket becomes her heaviest piece of luggage.
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Columbine Hosiery New Zealand TV ad 1993, soundtrack composed and produced by Larry Killip in Auckland New Zealand. Vocal by Fiona MacDonald. Pictures d by Park Avenue Productions and producer was Reston Griffiths. Category: Entertainment
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from August 13, 1939 The Chase and Sanborn Hour orchestra directed by Robert Emmett Dolan Music by Burton Lane - Lyrics by Ralph Freed
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Provided to YouTube by Universal Music Group Mindtrip · Nonpoint Statement ℗ 2000 Geffen Records Released on: 2000-01-01 Producer: Jason Bieler Composer Lyricist: Robert Rivera Composer Lyricist: Elias Soriano Composer Lyricist: Andrew Goldman Composer Lyricist: Ken Charman Auto-generated by YouTube.
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I do not own the copyright to this recording. This video is for historical and educational purposes Composed by J.R. Fulbright As a note the original release of this recording was billed as "Cliston Chanier King Of The South". The song title should have been "Clifton Blues" as well. Clifton Chenier:Vocals & Accordion Morris "Big" Chenier:Guitar Robert Pete:Drums Recorded in Lake Charles, LA. 1954 Originally issued on the 1954 singles (Elko 920) &(Imperial 5352) (78 RPM) This recording taken from the 1996 CD "Louisiana Swamp Blues"
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Provided to YouTube by Virgin Music Group This Strange Effect · Dave Berry This Strange Effect / Now ℗ 1965 Decca Released on: 1965-07-02 Composer, Writer: Ray Davies Auto-generated by YouTube.
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No copyright infringement intended. All pictures and videos copyright of the WWE and / or their respective owners. Taken from the Sky Sport HD 2 airing of the 7/12/12 edition of Smackdown.
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My white doves and a wild pigeon enjoying a morning wash in their bird bath on a lovely Spring day in Aberdeenshire Scotland.
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The NYC punk band L.E.S. Stitches' single "Could Just Die", shot in the East and West Village, 1995, including the Scrap Bar and Continental Divide.
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The Zeitgeist documentaries are an international sensation, with over 1,000 theatrical screenings in 60 countries and 30 languages, viewed by millions on the internet and even spawning a movement. For the first time they are now available to broadcast audiences and other license opportunities, as individual films or as an eleven part series. Zeitgeist: The Movie is a treatment on Mythology and Belief in society today, presenting uncommon perspectives of common cultural issues. Part One presents historical data relating to the astronomical/astrological origins of the Judeo-Christian theology (which can be extended to Islam as well), along with the understanding that these respective stories, beliefs & traditions are really an adaptation-extension of prior Pagan beliefs. Part Two presents a controversial view of the events of Sept. 11th 2001. It describes how the event has been transformed into a sacred, near religious act and to challenge the orthodox view, regardless of the quality of the contrary arguments, is considered blasphemy and rejected. Part Three presents a shotgun tour through the subjects of Central Banking, War Pretexts, Banking Panics, the Military Industrial Complex, Media Culture and ultimately the mental neurosis and deadly addiction known as "Power." The central theme is how society is often misled when it comes to certain pivotal historical events, what those events serve in function, along with how the overall social conditioning patterns we see today function to create values and perspectives which support and perpetuate the static, established order/power structure, as opposed to fluid social change and productive evolution for the betterment of the society as a whole. Zeitgeist: Addendum was born out of public interest in possible solutions to the cultural issues presented in Zeitgeist: The Movie. Building upon the topics of social distortion and corruption, Addendum moves to also present possible solutions. Featured in the work is former "Economic Hit-man" and New York Times bestselling author, John Perkins, along with The Venus Project, an organization for social redesign created by Social Engineer and Industrial Designer Jacque Fresco. Part One (four in the series) explains the process of Money Creation and Expansion through the Fractional Reserve System. It explains how Debt and Bankruptcy are not mere byproducts of our current system, but rather are underlying realities of our existence with periodic failures guaranteed. Part Two (five in the series) exposes various levels of international corruption via the financial/corporate system, including the manipulation of public leaders to further the interests of corporate institutions. Part Three (six in the series) changes gears and depicts a possible solution to the growing social problems in the world today by the introduction of a new social concept known as a "Resource-Based Economy". Part Four (seven in the series) gives a philosophical perspective in the hope to inspire change in the viewer and enable action to affect society for the better. Zeitgeist: Moving Forward focuses on the very fabric of the social order: Monetary-Market Economics. The majority of the world today have come to see basic flaws in the economic system we share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising cancer rates and other signposts have emerged to bring the concern into the realm of "public health". The tendency is to demand reform in one area or another, avoiding the possibility that perhaps the entire system is intrinsically flawed at the foundational level. Part One (eight in the series) presents a treatment on "Human Nature", with the argument that society is out of line with what Science has taught us about positive human development, enabling distortions of health and behavior that could be thwarted if the social system was changed. Part Two (nine in the series) details the central inherent flaws of the Monetary-Market System of economic conduct and how this system is destroying ourselves and the planet in a very direct way. Part Three (ten in the series) begins a thought exercise where the Earth and Natural Law is considered a starting point for human decision-making rather than politics, with the subject explored from all sides. Part Four (eleven in the series) ends with a prediction of what is to come as the society becomes more destabilized due to our outdated traditional practices.
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SIDE ONE "She Took Off My Romeos" (Bob "Frizz" Fuller) - 0:00 "Bye Bye Love" (Boudleaux Bryant, Felice Bryant) - 3:00 "Mercury Blues" (K. C. Douglas, Bob Geddins) - 5:53 "Quarter of a Man" (Bob "Frizz" Fuller) - 9:29 "Ain't No Way" (Bob "Frizz" Fuller) - 13:17 "Twist and Shout" (Phil Medley, Bert Russell) - 16:58 SIDE TWO "El Rayo-X" (Jorge Calderón, David Lindley) - 19:45 "Your Old Lady" (Elmo Glick, O'Kelly Isley, King Curtis) - 22:41 "Don't Look Back" (William Robinson, Ronald White) - 26:54 "Petit Fleur" (Solomon Feldthouse, Nancy Lindley) - 30:49 "Tu-Ber-Cu-Lucas and the Sinus Blues" (Huey "Piano" Smith) - 34:00 "Pay the Man" (David Lindley, George "Baboo" Pierre) - 36:13 Personnel Curt Bouterse - Hammer Dulcimer on "Petit Fleur" Jackson Browne - Vocals, Producer Jorge Calderón - Vocals Bob Glaub - Bass Garth Hudson - Horn, Keyboards on "El Rayo X" Greg Ladanyi - Engineer, Producer David Lindley - Bass, Fiddle, Guitar, Violin, Guitar (Electric), Vocals, Whistle (Human), Slide Guitar, Bandurria, Divan Saz Reggie McBride - Bass Bill Payne - Organ, Keyboards on "Bye Bye Love" Doug Sax - Mastering William D. "Smitty" Smith - Organ, Keyboards Gloria Von Jansky - Lettering Jimmy Wachtel - Art Direction, Design Ian Wallace - Drums George Ybara - Assistant Ras Baboo - percussion, timbales, vocals, accordion on "Pay the Man" All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use Please feel free to use this as a teaching or research tool, history or social commentary.
