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You Otter Not Miss This!!! Find your flow, your breath, and your smile. At Go With The Flow: Otter Yoga, gentle movement meets otter chaos with our pair of playful otters for an hour of connection and laughter in one unforgettable yoga experience. Come see the joy of the otters, the peace of yoga...
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Provided to YouTube by Pias UK Limited No Dominion · Mutual Benefit Thunder Follows the Light ℗ 2018 Mutual Benefit under exclusive license to Transgressive Records Ltd/[PIAS] Released on: 2018-09-21 Mixer: Biran Deck Producer: Jordan Lee Composer: Jordan Lee Lyricist: Jordan Lee Music Publisher: KMR Music Royalties II, SCSp and Mute Benny Industries LLC (SESAC), administered by Kobalt Music Publishing America, Inc Auto-generated by YouTube.
Does a real image show how Gaza looks in 2026 compared to how it looked in 2023? No, that's not true: The "before image" really shows the Al Rasheed coastal...
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Provided to YouTube by The Orchard Enterprises Warrior's Dance · The Prodigy · Liam Howlett · Bridgette Grace · Jeff Mills · Anthony Srock Invaders Must Die ℗ 2009 Take Me To The Hospital under exclusive license to Cooking Vinyl Ltd Released on: 2009-11-08 Producer: Liam Howlett Auto-generated by YouTube.
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Endless Love Soundtrack - Thumbs up if you like , and don't forget to Share! Lyrics: Wont you tell me what you want from me Don't you know that I'd walk across the sea Just to be with you Just to see it through You can find me on the extra night You could talk me off the edge tonight If you wanted to Don't you want me to Please don't find another love Please don't find another love Please don't find another love when I'm away Now our signals breaking up A satellite is not enough Please don't find another love when I'm away I could promise you're the only one We could walk into the setting sun If you wanted to I'll follow you Take a little and you turn away Such a wicked little game to play And I'm just a fool How could you be so cruel Please don't find another love Please don't find another love Please don't find another love when I'm away Now our signals breaking up A satellite is not enough Please don't find another love when I'm away I'm losing my senses I'm falling apart for us Now I'm defenseless I'm falling in endless love So please don't find another love Please don't find another love Please don't find another love when I'm away Now our signals breaking up A satellite is not enough Please don't find another love when I'm away
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Provided to YouTube by BMG Rights Management (US) LLC Viva Las Vegas · ZZ Top ZZ Top's Greatest Hits ℗ 1992 Warner Records Inc. Released on: 1992-04-14 Guitar, Vocals: Billy Gibbons Bass Guitar, Vocals: Dusty Hill Percussion, Drums: Frank Beard Composer, Author: Mort Shuman Composer, Author: Doc Pomus Auto-generated by YouTube.
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Provided to YouTube by Massacre Records Ulfberth · Rebellion Miklagard - History of the Vikings, Pt. 2 ℗ Massacre Records Released on: 2006-01-01 Composer: Thomas Göttlich Lyricist: Thomas Göttlich Auto-generated by YouTube.
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Provided to YouTube by The Orchard Enterprises Philosophy · Mario Pavone Dialect Trio Philosophy ℗ 2019 Clean Feed Records Released on: 2019-07-19 Auto-generated by YouTube.
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Corban University Chamber Orchestra, Concert Band and Concert Choir performing "Rock of Ages, Cleft for Me" by Thomas Hastings, text by Augustus M. Toplady, arranged by John T. Bartsch, Jr. Performed at the 11th Annual Hymn Festival "Work! For the Night is Coming!" March 4, 2011 at the First Presbyterian Church in Salem, OR. Directed by Dr. Matthew L. Strauser.
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J C Buris was a bluesman from North Carolina. He learned playing harmonica from his uncle Sonny Terry, besides playing the harp he was playing the bones and his selfmade puppet Mr Jack. These recordings are out of the year 1980.
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The famed Marek Weber (1888- 1964)and his orchestra bring us the famous tango "Ich küsse Ihre Hand, madame" by Ralph Erwin. I guess there is no need to explain who Marek Weber was... So sit back and enjoy this wonderful rendition... The record, though used, is still in quite good condition for its age... Video of some of the stars of the late 20's... Label : His Master's Voice EG 991 / 8-40313 All pictures & music from personal collection
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The great Australian Wagnerian soprano, Florence Austral, was born on 16 April 1892 at Richmond, Victoria. She received no early vocal training but in 1913 went to Ballarat to sing in the renowned South Street competitions. She won first prize in the mezzo-soprano section and second prize in two others. At the suggestion of adjudicator Fritz Hart, she took lessons with Madame Elise Wiedermann who was then at the Conservatorium of Music, Albert Street, Melbourne. In 1917 she won an entrance exhibition to the University Conservatorium where Wiedermann was then teaching. At 27, with first-class honours in second-year diploma and first-year bachelor of music, she decided to make singing her career. After a farewell concert on 22 September 1919, when critics praised her voice for its 'remarkable size and great beauty', she left to study Italian opera in New York. She appeared at festivals in Boston and Chicago, afterwards auditioning at the Metropolitan Opera House, New York. A contract was offered but arguments arose over a proposed début in Chicago. Homesick and disillusioned by what she regarded as corrupt practices at the Metropolitan Opera, she decided to return to Australia. However, she broke her journey in London and remained there. Florence Austral first appeared in London at a Sunday concert at the Albert Hall early in 1921. She successfully auditioned for Covent Garden but it was not until 16 May 1922 that she made her début there under the auspices of the British National Opera Company. At short notice, without stage or orchestral rehearsal for the part, she replaced Elsa Stralia as Brünnhilde in Wagner's Die Walküre. She was an instant and lasting success. Thereafter it was recognized that Austral was an operatic phenomenon, a tireless worker of easy temperament with a voice unequalled in quality and power, particularly suited to the Wagnerian roles in which she was to excel. She continued with the British National Opera Company at Covent Garden until the end of the famous International Season of 1924. Her many engagements at this time included contracts with (Sir) Landon Ronald and the Royal Albert Hall Orchestra, Sir Henry Wood's Queen's Hall Orchestra, and the Hallé Orchestra in Manchester. On 20 January 1923 she appeared for the only time with Melba in an evening of operatic excerpts. In the 1920s she began recording on acoustic discs and made the earliest of her many electrical recordings; her Wagnerian discs established her reputation. Austral had known John Amadio from student days in Melbourne. Her marriage to him at Hampstead, London, on 15 December 1925, two months after his divorce, caused a rift with her parents which their visit to London failed to mend: she was not permitted to see her mother again. With Amadio, Austral returned to Australia in 1930, giving her first concert in Sydney on 24 May and in Melbourne on 21 June. Critics exclaimed over her 'perfectly wonderful voice, amazing skill … lively intelligence … glowing intensity, all informed by unerring judgment'. Back in Europe in November, she contracted to sing at the Berlin State Opera. During a performance of Die Walküre she found herself unable to stand without help, the first public evidence of her long battle with multiple sclerosis. She later attributed her 'wooden acting' to its early effects. Austral had made the first of six successful tours of North America in 1925. With Amadio, these tours were resumed in 1931-32 and 1932-33. Her English recital tours also continued but she did not appear at Covent Garden again until 1933. She toured Holland in 1931 and 1933-34. In April 1934 Austral and Amadio returned to Australia for a season of concerts in capital cities and large country towns. The critics noted her vitality and the 'infectious air of personal enjoyment' in her performance. In September Sir Benjamin Fuller engaged her for his season of 'Grand Opera', and Australians saw her in her famous operatic roles for the first time. When the season ended early in April 1935, Austral and Amadio continued to tour Australia, making several successful broadcast recitals as well, but by the end of 1936 Austral had returned to London. During World War II she appeared for occasional benefit concerts, but her career was at an end. In late July 1946 she returned alone to Melbourne and in 1954 took up an appointment to teach at the newly formed Newcastle branch of the New South Wales State Conservatorium of Music. She retired in ill health at the end of 1959. When she later became paralysed, the Florence Austral Association paid for her care. She died of cerebro-vascular disease in a church home for the aged at Mayfield, Newcastle, on 15 May 1968. She is heard here in a 1927 studio recording of Brünnhilde's Immolation Scene from Wagner's GÖTTERDÄMMERUNG with the London Symphony Orchestra conducted by Lawrance Collingwood and Albert Coates.
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A 1970 recording by Ray Whitley of his classic song Hey Girl, Don't Bother Me recorded in Atlanta, GA. The Tams had a hit with Ray's song earlier in the 60's. Ray passed away in 2013 and this is dedicated to him and his great singing and songwriting. I do not own this recording or claim anything from it. Thanks and enjoy!
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Nina & Frederik were a Danish - Dutch popular singing duo of the late 1950s and early 1960s. Their repertoire consisted of a blend of folk music, calypsos and standards. The duo consisted of Frederik, Baron van Pallandt and his wife at the time, Nina van Pallandt.
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Diether de la Motte (1928-2010, german composer) 1. "Toccata C - H " aus "Zehn Fantasien am Klavier", 1968. 2. (@ 3:33) "Phantastisch" aus "Zehn Fantasien am Klavier", 1968. 3. (@ 5:37) "Traummusik" aus "Traummusik mit zwei Vorspielen", 1980. DIETHER DE LA MOTTE - KLAVIER (piano) ...recorded from rare Stereo LP made in germany. 1985... D. de la Motte was a German musician, composer, music theorist and university professor. He studied from 1947 at the Northwest German Music Academy in Detmold composition with William Maler , choral conducting with Kurt Thomas and piano. After working as a lecturer at the Düsseldorf State School of Church Music and a publishing editor in Mainz as well as taking courses in Kranichstein near Darmstadt (International Darmstadt Summer Courses for New Music), among others, the composer Ernst Krenek, he taught from 1962, composition and music theory at the Academy of Music and Theatre in Hamburg. In 1964 he was appointed professor there in 1972 and took over the office of Vice President of the Free Academy of Arts. In 1982 he was appointed professor at the University of Music and Drama. In 1988 he accepted an appointment as professor of music theory now known as the University of Music and Performing Arts Vienna Music Academy, known earlier. Diether de la Motte was a member of this institution until 1996. Since December 2006 he lived in Berlin. His pupils include Manfred Trojahn, Franz Zaunschirm, Detlev Glanert and Nicholas Schapfl. He was married to Helga de la Motte-Haber
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VARSITY EIGHT (a California Ramblers outfit) Roy Johnston, Frank Cush, t / Carl Loeffler, tb / Bobby Davis, cl, as / Sam Ruby, ts, cl / Adrian Rollini, bs / Jack Russin, p / Tommy Felline, bj / Herb Weil, d / Ed Kirkeby, v. New York, c. 3 November 1926 Susie's Feller My analyse (roughly) 9 bar intro full band, Theme 16 bar saxes, bridge 8 bar trombone, 8 bar trombone lead with saxes backing, 32 bar vocals entirely doubled by Davis on alto sax, 4 bar interlude, 16 bar clarinet duet, bridge piano solo 8 bar (Davis picks up clarinet solo) 8 bar clarinet duet, 4 bar interlude brass lead, 16 bar Adrian Rollini bass sax solo! 16 bar full band out. NOTES : Sam Ruby doubles cl, Davis plays no soprano.
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Strawbs - Live At The BBC Vol. Two: In Concert (2010) Golders Green Hippodrome, 11th April 1974 Dave Cousins - Vocals, Guitar Dave Lambert - Vocals, Guitar John Hawken - Keyboards Chas Cronk - Bass, Vocals Rod Coombes - Drums
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Flora MacNeil - A Mhairead Og (Young Margaret)
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29th Besson Swiss Open Contest – September 2018, KKL Lucerne www.worldbandfestival.ch Army Of The Nile by Kenneth J. Alford performance by Brass Band 13 Etoiles conducted by James Gourlay
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Tommy Turrentines album under his own name.
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From the 1975 album Evening Star (EG Records) "Wind on Wind", is an excerpt from Eno's solo project Discreet Music, which was released after this album. Eno had originally intended Fripp to use the material which became Discreet Music as a backing tape to play over in improvised live performances.
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01. Sky saw - 00:00 02. Over fire island - 03:27 03. St. Elmo's fire - 05:18 04. In dark trees - 08:22 05. The big ship - 10:52 06. I'll come running - 13:55 07. Another green world - 17:46 08. Sombre reptiles - 19:23 09. Little fishes - 21:49 10. Golden hours - 23:20 11. Becalmed - 27:21 12: Zawinul / Lava - 31:17 13. Everything merges with the night - 34:18 14. Spirits drifting - 38:18
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Provided to YouTube by Universal Music Group This Is The Picture (Excellent Birds) · Peter Gabriel So ℗ 2012 Peter Gabriel Ltd Released on: 1986-05-18 Associated Performer, Engineer, Producer, Studio Personnel: Daniel Lanois Vocals, Participant, Producer, Associated Performer, Voices, Composer Lyricist: Peter Gabriel Associated Performer, Bass ( Vocal): Bill Laswell Studio Personnel, Engineer: David Bottrill Engineer, Studio Personnel: David Stallbaumer Associated Performer: Nile Rodgers Associated Performer: Manu Katché Composer Lyricist, Associated Performer, Voices: Laurie Anderson Auto-generated by YouTube.
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Provided to YouTube by ONErpm Natural · Ganja · Gerardo Corzo · Ernesto Delgado · Salvador Zepeda · Fernando Zepeda Reggae Mexicano ℗ Ganja Released on: 2000-10-27 Auto-generated by YouTube.
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Provided to YouTube by Label Engine Overthinker (CloZee Remix) · INZO Overthinker (CloZee Remix) ℗ Lowly Released on: 2021-02-05 Remixer: CloZee Author: Chloé Herry Author: Michael Inzano Auto-generated by YouTube.
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Stanley Jasspon Kunitz (July 29, 1905--May 14, 2006) was a noted American poet who served two years (1974--1976) as the Consultant in Poetry to the Library of Congress (a precursor to the modern Poet Laureate program), and served another year as United States Poet Laureate in 2000. I heard this read aloud on NPR the other day. It took me awhile to find it, but I couldn't put anything else up besides this man reading his own poem. The age in his voice makes the poem that much more meaningful...at least to me it did.
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LA Looks Commercial. Aired in 1993.
