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19th Nervous Breakdown (Remastered) · Jason & The Scorchers
Still Standing
℗ 2002 Capitol Records, LLC
Released on: 2002-01-01
Producer: Tom Werman
Mastering Engineer: Robert Vosgien
Composer: Mick Jagger
Composer: Keith Richards
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In Orbit (feat. Floor Jansen) · Evergrey · Floor Jansen
The Storm Within
℗ AFM Records
Released on: 2016-09-09
: Thomas Englund
: Jonas Ekdahl
: Henrik Danhage
: Rikard Zander
: Johan Niemann
: Thomas Englund Jonas Ekdahl Henrik Danhage Rikard Zander Johan Niemann
Composer: Thomas Englund
Composer: Jonas Ekdahl
Composer: Henrik Danhage
Composer: Rikard Zander
Composer: Johan Niemann
Lyricist: Thomas Englund Jonas Ekdahl Henrik Danhage Rikard Zander Johan Niemann
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Live Studio Session at Gnome Studios in Nashville, TN.
Mighty Name of Jesus written by Hope Darst, Jacob Sooter, and Lauren Sloat.
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Babylon · Daron Malakian and Scars On Broadway
Scars on Broadway
℗ 2008 Scarred for Life
Released on: 2008-07-29
Writer: Daron Malakian
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Does a video prove that Sweden's King Carl XVI Gustaf did not shake hands with Ukrainian President Volodymyr Zelenskyy during a meeting in Lviv in April 2026? No, that's not...
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Go! Princess Precure Ep. 22
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River Flows in You · HAUSER · London Symphony Orchestra · Robert Ziegler
Classic
℗ 2019 Sony Music Entertainment
Released on: 2020-02-07
Producer, Cello: HAUSER
Orchestra: London Symphony Orchestra
Conductor: Robert Ziegler
Composer: Yiruma
Arranger: Robin Smith
Producer: Nick Patrick
Engineer: Neil Hutchinson
Engineer: Simon Rhodes
Engineer: Filip Vidovic
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Name: Frankie Knuckles Presents Satoshi Tomiie - Tears
Label: FFRR - 886 665-1
Country: USA / Style: Deep House / Year : 1989
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Sunny · Boney M. · R3HAB
Sunny
℗ 2025 Signatune under exclusive license to Sony Music Entertainment Germany GmbH
Released on: 2025-06-20
Associated Performer: Boney M. x R3hab
Associated Performer: Boney M.
Producer, Mastering Engineer, Associated Performer, Mixing Engineer: R3HAB
Composer, Lyricist: Bobby Hebb
Producer: Lewis Hughes
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Flow Like a River · The Gutter Twins
Adorata
℗ 2008 Sub Pop Records
Released on: 2008-09-02
Producer: Greg Dulli
Producer: Mark Lanegan
Mixer, Recording Engineer: Mathias Schneeberger
Music Publisher: JS BOND
Music Publisher: CHANNEL THIS MUSIC
Composer, Lyricist: Alain Johannes Moschulski
Composer, Lyricist: Natasha Shneider
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Just Be Good to Me · S.O.S. Band
Tabu Records Greatest, Vol. 1
℗ Tabu Records Under Exclusive License To Demon Music Group Ltd.
Released on: 2013-06-24
Composer: Harris III
Composer: Lewis
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Shop It Around · Jason & The Scorchers
Fervor / Lost & Found
℗ 1985 Capitol Records, LLC
Released on: 2008-01-01
Producer: Terry Manning
Composer: Jason Ringenberg
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Fake Dinosaur Bones · The Callous Daoboys
Die on Mars
℗ Daoboys/Acrobat Unstable/Dark Trail/Pattern Recognition
Released on: 2019-06-21
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Carina Round (sing)
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Hard Life · Mick Ronson
Just Like This
℗ Ronson Music
Released on: 2018-02-14
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I Want To Take You Higher · Sly & The Family Stone
Greatest Hits
℗ Originally recorded 1969. All rights reserved by Epic Records, a division of Sony Music Entertainment
Released on: 1970-11-21
Associated Performer: Sly & The Family Stone
Lyricist, Composer: Sylvester Stewart
Producer: Al Quaglieri
Producer: Steve Berkowitz
Producer: Sly Stewart
A& R Coordinator: Patti Matheny
A& R Coordinator: Darren Salmieri
Mastering Engineer: Darcy Proper
Mastering Engineer: Debra Parkinson
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A retrospective look at some of the music shown on BBC2's SNUB TV in 1989.
Featured acts:
Dinosaur Jr.
The Fall
Happy Mondays
808 State featuring MC Tunes
Ultra Vivid Scene
The Fatima Mansions
The Stone Roses
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In my opinion Van was a little "hit or miss" in the 80s... but here is a real rarity of a song many may not have not heard called "River of Time", that was released on his Inarticulate Speech of the Heart album (where it was a bit overproduced). This live version is rather nice!
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Great message about the helper, the Holy Spirit
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From the forthcoming new album on Avian - Linear S Decoded.
Video by Linn Koch-Emmery.
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#topofthepops #totp
Second appearance
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Come Over · Noah Kahan
Stick Season
℗ 2022 Mercury Records/Republic Records, a division of UMG Recordings, Inc.
Released on: 2022-10-14
Background Vocalist, Producer: Gabe Simon
Vocalist, Producer, Background Vocalist, Composer Lyricist: Noah Kahan
Engineer, Mixing Engineer: Konrad Snyder
A& R: Ben Adelson
Recording Second Engineer: Matt Hall
Production Coordinator: Carrie Karpinen
Mastering Engineer: Ted Jensen
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this is the first of the four fabulous fight scenes of 'crouching tiger....'
enjoy
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Friends Of Matthew - Out There
R & S Records
1991
Techno / Breakbeat
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Ralph Vaughan Williams (1972-1958): Symphony No. 4 in F minor [1931 -34]
I. Allegro 02:50
II. Andante moderato 11:29
III. Scherzo: Allegro molto 21:20
IV. Finale con epilogo fugato: Allegro molto 26:19
BBC Scottish Symphony Orchestra
Andrew Manze, conductor
"I don't know whether I like it, but it's what I meant." Vaughan Williams referred in these famous words to his Symphony No. 4, which was sketched out over the years 1931 and 1932, completed in 1934, and first performed in London on April 10, 1935, by the BBC Symphony Orchestra under Sir Adrian Boult. The dissonance and power of the Symphony No. 4 were not new elements in Vaughan Williams' music; some of the same can be heard, for instance, in the ballet Job (1930). But the unrelenting vision of the Fourth was new and surprising.
What does the Fourth mean? Interestingly and not very helpfully, it was the first of Vaughan Williams' symphonies not to have a descriptive title attached to it. Many thought that the symphony was a commentary on world events, in particular the rise of totalitarianism and the eventual outbreak of World War II. Sir Adrian Boult thought so: "He foresaw the whole thing." As usual, Vaughan Williams rejected such specificity, although he did admit in a letter to a friend that the "beauty" of the symphony reflected "unbeautiful times—because we know that beauty can come from unbeautiful things (e.g. King Lear, Rembrandt's School of Anatomy, Wagner's Niebelungs, etc.)" As Vaughan Williams was completing the Fourth, he was also starting on the oratorio Dona Nobis Pacem, which does make direct reference to war. But the composer's widow Ursula saw the symphony as autobiographical, a reflection of her husband's character: "The towering furies of which he was capable, his fire, pride, and strength are all revealed and so are his imagination and lyricism."
The symphony begins with an imperious theme that frequently recurs later in the work. The tone is one of anger and aggression. Even the more restrained second theme has a pulsating energy lurking beneath it, and the movement's occasional moments of humor are acid tinged. After its driving energy and frequent brass outbursts, the quiet coda of the movement comes as a surprise. But the feeling is more of enervation than calm. Next is the slow movement, marked Andante moderato, which opens with a wandering melody related to material from the first movement over a strong pizzicato accompaniment. Much is made of the contrast between the remorseless tread of the accompaniment versus the rather forlorn quality of the melodic material. The movement exudes a sense of weariness. A lonely flute solo acts as a coda. The Scherzo, marked Allegro molto, is dance-like, but rhythmically unpredictable and mercurial. After a fugal interlude, the dance opening returns. A strange and mysterious passage in which a quiet recollection of the first movement's main theme sounds over a pounding drum rhythm, leads without break into the vigorous Finale, which one might see as the resolution of the conflict of the first three movements. The final movement strides purposely forward, with frequent brass eruptions. The mood is one of excitement, but of agitation, as well. A peaceful theme emerges in the strings and is developed for a time. Then the initial music breaks out again, leading into a fugal development that whips up a lot of energy and leads to a brass-drenched peroration derived from the symphony's opening pages.
© All Music Guide
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In this weeks special Chat with the Chief segment, Taylor Mitchell sits down with her dad, a Chicago Police Sergeant.
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Written by Steve Goodman for The Nitty Gritty Dirt Band this was their first ever Christmas song.
A very merry christmas to you and yours.
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Out In The Cold · Tom Petty And The Heartbreakers
Into The Great Wide Open
℗ 1991 Geffen Records
Released on: 1991-01-01
Co Producer, Producer, Composer Lyricist: Tom Petty
Co Producer, Producer: Mike Campbell
Composer Lyricist, Producer: Jeff Lynne
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