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The Original and Authentic Bachelors Handbag. Functional rotisserie chicken handbag to carry all the essentials. Fits your phone, vape, wallet, and keys. Hot and Ready to purchase in our online store. Big discounts on shipping for Australian customers.
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Band - Thy Majestie Song - Walls of the Emperor Album - ShiHuangDi Genre - Symphonic Power Metal Year - 2012 Origin - Italy
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Provided to YouTube by Sony Music Entertainment KKEB · Andre Hehanussa The Best Of Andre Hehanussa ℗ 2001 Sony Music Entertainment Indonesia Released on: 2001-08-01 Lyricist, Associated Performer, Composer: Andre Hehanussa Auto-generated by YouTube.
Did Pope Leo XIV blast White House Press Secretary Karoline Leavitt or her resume during a television interview? No, that's not true: There is no evidence that the purported interview...
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"Femme Fatale" by Dramarama 1985 "Cinéma Vérité"
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Provided to YouTube by Domino No Bitterness · Alex G God Save The Animals ℗ 2022 Domino Recording Co Ltd Released on: 2022-09-23 Producer: Alex Giannascoli Mixer: Jacob Portrait Producer: Jacob Portrait Engineer: Steve Poponi Engineer: Mark Watter Engineer: Connor Priest Music Publisher: Domino Publishing Company Ltd Lyricist: Alex Giannascoli Composer: Alex Giannascoli Auto-generated by YouTube.
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Provided to YouTube by Rhino Zero She Flies · Al Stewart Zero She Flies ℗ 2007 Al Stewart Vocals: Al Stewart Writer: Al Stewart Auto-generated by YouTube.
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Is this the funniest rendition of Blake / Parry's Jerusalem you have ever heard? At our recent wedding in Brittany, the French organist led the (half English, half French) congregation in what we had hoped would be a stirring rendition of Jerusalem as a finale to the service. While we didn't expect the French to join in the singing, the Brits were all looking forward to a rousing sing song to send us on our way to a happy married life together. Our attempts were somewhat foiled however - this is what we got... listen and weep! Still, there is a strong argument to say that the performance made the day :-) Vive l'entente cordiale! Vive la difference!
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Ruth Slenczynska is an American pianist who was born in 1925. At a very young age she demonstrated a phenomenal talent for the piano. A true child prodigy, she was often compared to Mozart in her playing ability. She made her public debut at the age of 6, and by the age of 7 she was playing with full orchestras in Europe. She is the last living student of Rachmaninov, whom she studied she under when she was 9 years old. However, the stress imposed on her as a child to perform made her decide to quit her concert career in 1940, at the age of 15. In the mid-1950s, she resumed public performances, as well as began producing recordings. Her latest recording was issued last year, at the age of 97. Despite this singular career, I think she is not very well known to many fans classical music. This was issued by the Musical Heritage Society. MHS issued a huge number of recordings, many of them reissues from other labels. MHS is notable for having the most boring covers of any label. And by 1978, their production standards were not too good, thus this record does have a pre-echo and other noise. Luckily, the playing of Ms. Slenczynska makes most of this noise disappear. One can hear her superb technical ability along with blazing speed that must have astonished audiences when she was a child playing in the early 1930s. Tracks: 00:00 Etudes 1-10 24:14 Etudes 11 -12 31:11 Barcarolle 40:16 Tarantelle Details: Album title: Frédéric Chopin - Ruth Slenczynska – Etudes, Op. 25 / Barcarolle, Op. 60 / Tarantelle, Op. 43 Released by: Musical Heritage Society (MHS 3798) Year released: 1978
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How did a decentralized force of irregular fighters defeat the organized military machine of the Ottoman Empire? In 1821, the Greek War of Independence began. It was a classic example of asymmetric warfare. The Ottoman Empire possessed a standing army of Janissaries, heavy cavalry, and a massive fleet. The Greeks had no professional army—only mountain bandits (Klephts), merchant captains, and local militias. This documentary analyzes the military history of the revolution, detailing the guerrilla tactics of Theodoros Kolokotronis in the Peloponnese, the breaking of the Ottoman naval supply lines by Konstantinos Kanaris, and the brutal siege warfare at Missolonghi. We break down the strategic blunders of the Ottoman Porte, the terrain advantages used by Greek insurgents, and the decisive intervention of the Great Powers at the Battle of Navarino. #GreekWarOfIndependence #OttomanEmpire #MilitaryHistory #Greece #1821
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Provided to YouTube by VP Hold You (Hold Yuh) · Gyptian Hold You ℗ 2010 A Hits Music Producer: Neil Edwards Composer: Ricardo Johnson Composer: Windell Edwards Auto-generated by YouTube.
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Provided to YouTube by TuneCore Pope Is a Rockstar · SALES SALES LP ℗ 2016 SALES Released on: 2016-04-20 Auto-generated by YouTube.
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Provided to YouTube by Universal Music Group Schubert: Du bist die Ruh', D. 776 (Orch. Webern) (Live) · Thomas Quasthoff · Chamber Orchestra of Europe · Claudio Abbado Schubert: Orchestrated Songs ℗ 2003 Deutsche Grammophon GmbH, Berlin Released on: 2003-01-01 Producer: Christopher Alder Balance Engineer: Rainer Maillard Recording Engineer: Jürgen Bulgrin Digital Editing Engineer: Oliver Rogalla von Heyden Composer: Franz Schubert Lyricist: Friedrich Rückert Auto-generated by YouTube.
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Provided to YouTube by Silva Screen Records Space: 1999 (Main Titles) · Barry Gray Space: 1999 Year One (Original Television Soundtrack) ℗ 2021 Silva Screen Records Ltd Released on: 2021-08-06 Main Artist: Barry Gray Composer: Barry Gray Composer: Vic Elms Music Publisher: Sony/ATV Music Publishing Auto-generated by YouTube.
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After almost 5 years of Mind Architect, we had the honour and privilege to host in our studio Dr. Gabor Maté, one of the people who inspired a lot of our work, for his first appearance on a Romanian podcast. Many people fell in love with Gabor Maté for his mind and ideas, but most of us actually started healing because he also opened his heart. Today we got to talk to the man behind the icon about the light and darkness that have always been part of his life. About his early childhood, teenage and adult experiences and all the things in him that needed and still need healing. Like us all, he’s still a work in progress. Gabor Maté told us the story of his childhood and teenage years, the difficulty of moving to Canada and the changes that brought in his relationship with his parents. He talked about his desire to become a physician as something he always knew he wanted to do. He wanted to relieve suffering. He also shared less well-known struggles, like how his ADD was a big obstacle in fulfilling his dream of becoming a medical doctor. When it comes to his writing career, he remembers a pacient of his, a Canadian poet, who told him „You will write when you have something to teach the world”. He had, so he did! As for his personal life, Gabor Maté shared about his life-long relationship with his wife Rae, whom he met when she was 18 and he was 22. He recalls how she saw both the light and the darkness in him and committed to dispel it. In his words, „she shouldn’t have done that, nobody should ever take dissipating someone else’s darkness as their job”. Discover what made their relationship last and how they managed to get through times in which it seemed like there was no hope left. During this one hour conversation, we look at the intersection between man, child, father, husband and the professional who later became one of the most influential voices on trauma, ADD and addiction, all of them subjects on which he shared his views with us. Join us in this journey. This episode is produced with the support of Banca Transilvania. 0:00 Intro & Key Moments 1:58 Introduction into Compassionate Inquiry România with Cristina Bâră 13:35 Introduction of Dr. Gabor Maté 14:35 Gabor Maté as a child and teenager under the hungarian communist regime 17:50 Gabor Maté's relationship with sports and physical movement 18:48 Most important needs to have been met as a teenager and the relationship with his parents during that time 20:30 The impact of moving to Canada 22:00 The impact of dislocation caused by emigration and/or having parents absent 24:50 How can we better manage the needs of children with ADHD 28:23 About Scattered Minds (Minți Împrăștiate) 29:55 Schools need to change the way they support children with ADHD 31:55 Gabor Maté on vocation. Why he always knew he wanted to be a doctor 33:06 How ADHD made his becoming a doctor even harder 35:00 The red thread between Gabor Maté's professional roles 36:40 Gabor Maté on addiction ahd his own addiction to work 40:48 The work on his addiction, once aware of it 41:50 The story of the relationship with Rae, Gabor's wife 43:55 Similarities and differencies in the relationship 44:44 We marry people who carry the same level of trauma that we have 46:30 Men are looking for women who can mother them. What are the problems with that and how did that apply in Gabor's relationship with Rae 50:35 How did Gabor and Rae navigate the moment of contemplating divorce 52:15 1/2 people who get married get divorced. What helped them stay together 55:40 The opportunity to heal together with the partner 57:15 The most important moments in Gabor's healing process 59:10 Healing has to happen in the mind, the heart, the gut and the whole body 01:03:40 Gabor's relationship with money throughout his life and in his marriage 01:07:35 On Gabor and Daniel Maté's next book, Hello Again 1:10:00 On the impact of screens and Social Media on children's brain development and wellbeing 1:13:00 Closing thoughts. On Palestine and "Tales of the Hasidim" by Martin Buber
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Provided to YouTube by Universal Music Group Jams Runs Free · Sonic Youth Rather Ripped ℗ 2006 Geffen Records Released on: 2006-01-01 Producer: Sonic Youth Studio Personnel, Producer, Recording Engineer, Mixer: John Agnello Studio Personnel, Recording Engineer: TJ Doherty Asst. Recording Engineer, Studio Personnel: Chris Allen Asst. Recording Engineer, Studio Personnel, Recording Engineer: Aaron Mullan Composer Lyricist, Studio Personnel, Recording Engineer: Lee Ranaldo Studio Personnel, Asst. Recording Engineer: Anthony Fontana Composer Lyricist: Thurston Moore Composer Lyricist: Kim Gordon Composer Lyricist: Steven Shelly Auto-generated by YouTube.
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Chico Ramos and The Original Conch Soup! Hope you guys like it!
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Provided to YouTube by ByStorm Entertainment/RCA Records coffee · Miguel Wildheart (Deluxe Version) ℗ 2015 RCA Records, a division of Sony Music Entertainment Released on: 2015-06-26 Associated Performer: Miguel Recording Engineer, Composer, Lyricist: Miguel Pimentel Composer, Lyricist: Brook Davis Producer: Miguel Programmer: Brook D'Leau Mixing Engineer: Manny Marroquin Assistant Engineer: Chris Galland Assistant Engineer: Ike Schultz Auto-generated by YouTube.
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Margo, F.Olivier, C.Roberts, M.Roberts, I.Sheer and D.Salomon represented Luxembourg at the Eurovision Song Contest 1985 in Gothenburg with the song Children, Kinder, Enfants. They finished 13th of 19 countries with 37 points.
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from Parlophone 78rpm (R 4117) from January 1956
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New release of ReactOS 0.4.3, Installation and All Software. ReactOS is a free and open-source operating system based on the best design principles found in the Windows NT architecture. Written completely from scratch, ReactOS is not a Linux-based system and it shares none of the UNIX architecture. The main goal of the ReactOS project is to provide an operating system which is binary compatible with Windows. This will allow Windows applications and drivers to run as they would on a Windows system. Additionally, the look and feel of the Windows operating system is used, such that people accustomed to the familiar user interface of Windows would find using ReactOS straightforward. The ultimate goal of ReactOS is to allow people to use it as an alternative to Windows without the need to change software they are used to. My Blog: danielebuda.wordpress.com
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The Creatures - Venus in Furs Velvet Underground's Venus in Furs covered by The Creatures (Siouxsie and Budgie)
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A (sort of) acoustic version of The Freshman, re-uploaded.
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"One With The Birds" appears on the album When We Are Inhuman available from 37d03d. Artwork by Elsa Hansen Oldham __________ Julius Eastman and Will Oldham are kindred spirits. Self-styled provocateurs, they have positioned themselves on the outskirts of distinct traditions, pulling all manners of musical influence towards their outré stance. Eastman, who passed away in 1990 and whose work is experiencing a necessary revival, harnessed the vocabulary of minimalism for joyfully insurgent ends; Oldham’s songwriting regularly conjures a pantheon that Greil Marcus called “the old, weird America.” Last spring, these two visionaries collided at Cincinnati’s MusicNOW Festival, and any distance between them was mediated by curator Bryce Dessner and ensemble Eighth Blackbird. On this album, woven between new arrangements of Oldham’s cryptic songs and Eastman’s iconic “Stay on It” are several of Dessner’s “Murder Ballades,” works that tease out the homicidal strain of old folk tunes. In “Down in the Willow Garden,” a classic Appalachian tune, Oldham sings bleary-eyed atop harshly twanging timbres; “Underneath the Floorboards” takes inspiration from a recent murderous classic by Sufjan Stevens. These explorations of violence are natural fits for Oldham, who has always examined the interstices between intimacy and cruelty. Four of his songs appear here in new, sumptuous arrangements by pianist Lisa Kaplan. In Cincinnati, Oldham compared working with Eighth Blackbird to becoming acquainted with a “haunted house,” continually returning to the same spot and observing how his fear was interlaced with a charged energy. The arrangements push Oldham’s voice to new heights, as in the ecstatic refrain of “New Partner” or the lithe polyrhythms of “Beast for Thee.” On “One with the Birds” and “When Thy Song,” shimmering introductions deploy avant-garde effects as a window into Oldham’s bleak, poignant sound world. Musicologist Matthew Mendez has identified the web of influences on Eastman’s “Stay on It”: a post-Stonewall queer subjectivity, which the composer-performer flaunted; disco hits by Diana Ross, to which Eastman regularly danced at a Buffalo gay bar; and 1970s minimalism, via Eastman’s emphasis on what he called not “the pulse” but “the beat.” “Stay on It” was worked out in performance in the ‘70s, and no complete score exists. This live rendition, based on archival recordings, sharpens the edges of Eastman’s music while still capturing its anarchic ideal. Oldham’s repetitions of “Stay on it” are subversively subdued, and Dessner’s guitar inserts a punch of the urbane. The riff mutates, changes, fades away, returns triumphantly. It overpowers and is overpowered. Boundaries between musicians and audience dissolve––in concert, percussionist Matthew Duvall ran off the stage to make a surround-sound ruckus––addressing the broader political hierarchies that Eastman sought to triumphantly topple. The party is political. – Will Robin
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This is the music video to the track, "Pretty Like Drugs" by Queen Adreena from their album, "Drink Me" released in 2002 through the labels Rough Trade and One Little Indian. And in my opinion not only one of their best songs but ... THE SICKEST SONG EVER! I apologize for the video or sound quality if its an issue but this is literally the best I can do. I DO NOT OWN ANY OF THESE SONGS AND THEY ARE ALL ACCREDITED COPYRIGHTED TO THE RESPECTIVE ARTIST AND RECORD LABEL.
