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from the album Worming

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But throughout time and across cultures, shaving, beard trimming, and even hairstyling carried heavy cultural meaning for men.

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Through inspiring stories from successful water retention projects in India, Kenya, and Portugal, we aim to spark conversations and actions that contribute to a regenerative and resilient world. As we’re facing both the growing devastating impacts of climate disruption and the failure of governments to act, this film points to an often overlooked need and possibility: community-driven decentralized water management as a critical key for surviving — and thriving in — this century.

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Do real videos show actor James Franco making "2319" references? Yes, that's true, but it is complicated: It is not clear what Franco is referring to in the series of...

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Somatic embryogenesis (SE) is one of the most important steps during regeneration, but the molecular mechanism of SE remains unclear for Cedrela odorata. SOMATIC EMBRYOGENESIS RECEPTOR-LIKE KINASE (SERK) is one of the genes associated with induction of SE and is considered a marker of cells competent to form somatic embryos. Our objective was to clone and characterize the SERK1 and SERK2 gene homologues and analyze their expression patterns during in vitro morphogenesis in Spanish cedar. CoSERK1 and CoSERK2 were isolated from cedar, both share domains characteristic of the SERK family, including leucine-rich repeats, a proline-rich motif, a transmembrane domain, and kinase domains. Embryogenic cultures were established from callus cultures induced on medium supplemented with 1 mg/L dicamba. Histological sections were studied to determine the embryogenic nature of the samples. The CoSERK1 gene was highly expressed during the acquisition of embryogenic competence. The expression level of SERK1 was lower in non-embryogenic tissues and organs than in embryogenic calli, and it was higher in 3-week old embryogenic calli. CoSERK2 gene was highly expressed in leaves and shoots but no difference in expression was obtained between somatic and embryogenic tissues. These results suggest that the expression of CoSERK1 is associated with somatic embryogenesis induction and could be used as a potential marker to monitor the transition from competent to embryogenic cells and tissues in Spanish cedar.

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Flip Side Foolish Little Gir, Rex 1008 , Recorded 1959

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Howlin' Wolf - The London Sessions Sello: Roots ‎– RTS 33017 Formato: CD, Album, Remastered País: Brasil Publicado: 1993 Género: Blues Lista de Títulos: 01.- I Ain't Superstitious 3:29 02.- Sittin' On Top Of The World 3:50 03.- Built For Confort 2:09 04.- The Red Rooster (Rehearsal) 1:58 05.- The Red Rooster 3:47 06.- Highway 49 2:45 07.- Cause Of It All 2:40 08.- Poor Boy 4:06 09.- Commit A Crime 3:57 10.- Wang-Dang-Doodle 4:29 11.- Do The Do 2:17 12.- Worried About My Baby 2:55 13.- Rockin' Daddy 3:42 14.- What A Woman 3:02 15.- Who's Been Talking? 3:03 Musicos: Bass – Klaus Voormann (tracks: 1) Bass Guitar – Phil Upchurch (tracks: 13) Bass, Shaker, Cowbell – Bill Wyman Drums – "Richie" (tracks: 1) Drums, Congas, Percussion – Charlie Watts Guitar – Howlin' Wolf (tracks: 5) Harmonica – Howlin' Wolf (tracks: 14), Jeffery M. Carp Horns – Dennis Lansing (tracks: 1, 3), Joe Miller (10) (tracks: 1, 3), Jordan Sandke (tracks: 1, 3) Lead Guitar – Eric Clapton Piano – Ian Stewart (tracks: 2, 10, 11, 13), John Simon (tracks: 7, 15), Lafayette Leake (tracks: 2, 4) Piano, Organ – Steve Winwood Rhythm Guitar – Hubert Sumlin Vocals – Howlin' Wolf Compañías, etc. Licensed From – Billy Carr Productions Licensed From – Red Dog Express Recorded At – Olympic Studios Glass Mastered At – MPO Notas Digitally transferred from original Chess Mono & Stereo Masters. Licensed from: Billy Carr Productions / Red Dog Express Inc. Recorded: May 11,12 1970, in Olympic Sound Studios London.

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On the Episode "The big bang theory" Stewie needs for plutonium for his time machine. Bad quality..just for laughs :)

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Provided to YouTube by Columbia Empire · Kasabian Empire ℗ 2006 Sony Music Entertainment UK Limited Released on: 2006-08-28 Associated Performer, Producer: Kasabian Viola, Violin: Farhat Bouallagui Violin: Bouzid Ezzedine Violin: Jazzer Haj Youssef Lyricist, Composer: Sergio Pizzorno Composer: Chris Karloff Producer: Jim Abbiss Recording Engineer: Barny Assistant Engineer: Beatle Ben Mixing Engineer: Andy Wallace Engineer: Jean-Loup Morette Auto-generated by YouTube.

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"Diana Ross & The Supremes What The World Needs Now Is Love" Mono/Stereo "Classic Motown" This is not quite as bad as I used to think it was, but here's the very strange thing: listening to the backgrounds here, I actually can see why sometimes it was felt that additional voices were needed to fill out the overall sound. For whatever reason, the producers at Motown seemed to almost be afraid to let The Supremes really let loose on their backing vocals. Mary and Florence aren't given much to do here; no harmony singing, no fire and feeling, just sing in unison behind the lead- and that's it. Listening to The Supremes' version, my mind keeps drifting to Jackie DeShannon's original. I'll admit, I never really had any feeling one way or the other for the song until I saw her live performance on an episode of the old "Shindig!" show- it was then that I really appreciated the song and Jackie's delivery. Understated and yet still utterly moving. Diana Ross also gives a very compelling and heartfelt delivery. Like Jackie DeShannon, Diana doesn't have to rely on the histrionics that others may have been tempted to pile on. Where the Supremes' version falls down is the background: Burt Bacharach, in producing Jackie's version, was brilliant to contrast Jackie's warm, understated delivery with the fire and emotion of a gospel-like background arrangement. The Supremes' version feels like there's a glaring omission, especially as the song hits the home stretch- it's just the group repeating the title over and over with no build up. Still, this is pleasant enough - that was the gift of Diana Ross, to make anything sound good - but when there were things like "A Little Misunderstanding", "Slow Down," "Mother Dear" taking up residence in The Motown Vaults, you really have to wonder why none of those even more compelling recordings weren't used on the "Reflections" album. What The World Needs Now Is Love (Hal David-Burt Bacharach) published Blue Seas The Supremes; recorded Hitsville, completed 18-Apr-66 ; produced by Brian Holland, Lamont Dozier unreleased; 45 (M): Motown M 1125 A Apr-68; LP (M): Motown M665 Reflections Apr-68; LP (S): Motown S665 Reflections #dianaross #dianarossandthesupremes #thesupremes #motown #classicmotown #womenofmotown #graphicdesign #graphicarts #graphics

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Provided to YouTube by EMPIRE Distribution Since 6ix · Key Glock Glockoma ℗ 2018 Paper Route Empire Released on: 2018-11-23 Auto-generated by YouTube.

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Provided to YouTube by Rhino Atlantic If You Could See Me Now · Carmen McRae Bittersweet ℗ 1964 Atlantic Recording Corporation and Terror Squad Productions, Inc. for the United States and WEA International Inc. for the world outside of the United States. Piano, Vocals: Carmen Mcrae Writer: Dameron Writer: Sigman Auto-generated by YouTube.

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Provided to YouTube by Naxos Digital Services Sh-Boom · Chords, The Birth Of Rock And Roll (The) (1945-1954) ℗ 2005 Naxos Released on: 2005-01-07 Ensemble: Chords, The Lyricist, Composer: Claude Feaster Composer, Lyricist: Floyd McRae Lyricist, Composer: James Keyes Composer, Lyricist: James Edwards Composer, Lyricist: Carl Feaster Auto-generated by YouTube.

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Sheryl Crow Summer Day 100 Miles From Memphis (2010) Soul Pop LYRICS: Every Little Thing That I Felt That Day Never Will Forget, There Was Love In The Air I Wasn't Looking For Love To Come My Way Ooh Baby Baby But Then I Saw You There That Summer Day That I Recall You Came Into My Life And You Gave Me Hope And Love I Just Want To Be Where You Want Me To That Summer Day That Changed It All You Came Into My Life And You Let Me Fall In Love My Baby I Just Want To Be With You I Just Want To Let It Shine I Just Want To Let It Shine I Just Want To Let It Shine Did You Ever Think You Knew Everything? Did You Ever Think You Had It All Figured Out? Ooh Baby Baby You Know Things Can Change But Someone (?) That Summer Day That I Recall You Came Into My Life And You Gave Me Hope And Love I Just Want To Be Where You Want Me To That Summer Day That Changed It All You Came Into My Life And You Let Me Fall In Love My Baby I Just Want To Be With You Can You Hear Me, Baby? When I Say I'm For You I Knew We Could Make It The Moment You Came Into My Life Don't You Know That You Keep Me (?) That Summer Day That I Recall You Came Into My Life And You Gave Me Hope And Love I Just Want To Be Where You Want Me To That Summer Day That Changed It All You Came Into My Life And You Let Me Fall In Love My Baby I Just Want To Be With You And I'm Gonna Let It Shine Yeah, I'm Gonna Let It Shine Yes, I'm Gonna Let It Shine I Just Want To Let It Shine I Just Want To Let It Shine

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Lyrics: "Please pass the milk, please." x 643

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LEE WILEY (1908--1975) was an American jazz singer popular in the 1930s, 1940s and 1950s. Although today less well-known, Wiley is still appreciated by jazz aficionados. Although she had only a small voice, she possessed an attractive, slightly husky tone and delivered lyrics with warmth and intimacy. Born in Fort Gibson, Oklahoma, Wiley left home early to begin a career singing with the Leo Reisman band. Her career was temporarily interrupted by a fall while horse-riding and she suffered temporary blindness, but she recovered and at the age of 19 was back with Reisman again. She also sang with Paul Whiteman and later, the Casa Loma Orchestra. A collaboration with composer Victor Young resulted in several songs for which Wiley wrote the lyrics, including "Got The South In My Soul" and "Anytime, Anyday, Anywhere". In 1939, Wiley made a 78 album set of eight Gershwin songs with a small group for Liberty Music Shops. The set sold well and was followed by 78 album sets dedicated to Cole Porter (1940) and Richard Rodgers & Lorenz Hart (1940 and 1954), Harold Arlen (1943), and Vincent Youmans and Irving Berlin (1951). The players on these recordings included such musicians as Bud Freeman, Max Kaminsky, Fats Waller, Billy Butterfield, Bobby Hackett, Eddie Condon, and the bandleader Jess Stacy, the latter to whom Wiley was married for a number of years. These influential albums launched the concept of a "songbook" (often featuring lesser-known songs), which was later widely imitated by other singers. Wiley went into retirement in the 1960s. Her last public appearance was a concert in Carnegie Hall in 1972 as part of the New York Jazz Festival, where she was enthusiastically received. _____________________________________________________________________ ZIEGFELD THEATRE in Sixth Ave. at 54th Street was butli in 1927 by architect Joseph Urban. The owners were: Florenz Ziegfeld (1927-1932) and Billy Rose (1943-1965). This theatre was an art deco masterpiece with a unique egg-shaped auditorium. Placed several blocks Northeast of the theatre district, it was a landmark unto itself. After Ziegfeld's death, it became a movie venue for a decade until producer Billy Rose purchased the theatre and made it his headquarters. The Ziegfeld housed a series of long-running hits over the next decade, but its uptown location eventually made it less popular. Rose bought adjoining properties to make the location attractive to developers, but died before he could close a deal. His estate sold off the property for demolition in 1966. A skyscraper and an 1,100 seat movie theatre now share the site. Called The Ziegfeld, the movie house has a lobby exhibit covering Ziegfeld's career. Recording: LEO REISMAN & His Orch., vocal: Lee Wiley -- Time On My Hands (from the Ziegfeld Theatre musical "Smiles", 1930);(Words: Harold Adamson / Mack Gordon / Vincent Youmans), Victor 1931 ______________________________________________________________

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Provided to YouTube by Universal Music Group What Now My Love · Frank Sinatra That's Life ℗ 1966 Frank Sinatra Enterprises, LLC Released on: 1990-01-01 Producer: Jimmy Bowen Engineer: Eddie Brackell Engineer: Lee Herschberg Composer Lyricist: Gilbert Bécaud Composer Lyricist: Pierre Leroyer Composer Lyricist: Carl Sigman Auto-generated by YouTube.

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The only song to sing before battle. #TheMagicians #EliotWaugh #MargoHanson

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The FUNNIEST Monkeys ???? Best Compilation Whether it's their antics in the jungle or their interactions with humans, monkeys never fail to bring a smile to our faces! Enjoy! #animal #animal2023 #monkey #funnymonkey

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Hula Hoop to the Loop by Keller Williams from his "Kids" album.

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Provided to YouTube by TuneCore School Bus Driver · Trampled By Turtles Songs from a Ghost Town ℗ 2014 Banjodad Records Released on: 2004-10-05 Auto-generated by YouTube.

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Provided to YouTube by Universal Music Group Driving Me Backwards (Remastered 2004) · Brian Eno Here Come The Warm Jets ℗ 2004 Virgin Records Limited Released on: 2004-01-01 Associated Performer, Producer, Musician, Mixing Engineer, Performer, Composer: Brian Eno Bassvocalist: John Wetton Bassvocalist: Paul Rudolph Recording Engineer: Derek Chandler Mixing Engineer: Chris Thomas Mixing Engineer: Paul Hardiman Mixing Engineer: Denny Bridges Mixing Engineer: Phil Chapman Auto-generated by YouTube.

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Provided to YouTube by Warner Records Rainy Night in Georgia (Boozoo Bajou's Georgia Dub) · Tony Joe White What Is Hip-Remix Project Vol. 1 ℗ 2004 Warner Records Inc. Producer: Billy Swan Unknown: Boozoo Bajou Masterer: Brian "Big Bass" Gardner Drums: James Milhart Executive Producer: Leah Simon Organ: Mike Utley Engineer: Mort Thomasson Mixer: Peter Heider Executive Producer: Philip Steir Drums: Sammy Creason Bass: Tommy McClure Engineer: Tommy Strong Guitar, Harmonica, Vocals: Tony Joe White Arranger: Bergen White Contributor: Bob Beckham Composer, Writer: Tony Joe White Auto-generated by YouTube.

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The idea that the only way a religious person could enter politics is through the religious right -- I just don’t think that makes sense. What could be more different than the message I take from my faith and what we’re being shown in Washington right now?

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Provided to YouTube by Universal Music Group Cruisin' (Dallas Austin Remix) · D'Angelo Brown Sugar ℗ 1995 Virgin Records Released on: 1995-07-04 Producer: D'Angelo Remixer: Dallas Austin Composer Lyricist: Marvin Tarplin Composer Lyricist: Smokey Robinson Auto-generated by YouTube.

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An Insane Drum Solo from Buddy Rich performed @ the concert of the Americas, Please Rate Comment and Suscribe!

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SpongeBob and Patrick are excited for Mr. Krab's super duper special secret assignment

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